Photograph of the Whaletown Brownie troop visiting George Freeman at his home at Sutil Point, "Seaview Ranch".
(L to R): George Freeman, Jean Mathews on hassock, Sheril Mathews, Brigid Weiler, Heather Maclean, Alexandra (Johnny) Weiler, and Sara Weiler on bench.
Photograph of the Whaletown Brownie troop visiting George Freeman at his home at Sutil Point, "Seaview Ranch".
(L to R): George Freeman, Jean Mathews on hassock, Sheril Mathews, Brigid Weiler, Heather Maclean, Alexandra (Johnny) Weiler, and Sara Weiler on bench.
This series contains early film works of George Sirk, shot on 16mm and Super 8 film and digitized by Doug McCaffry, of ScanLab, in 2022. Films include Cortes Island short films, two feature documentaries, and two longer films shot in Australia. They were shown at a film festival presented by Cortes Cinema and the Cortes Island Museum on July 17, 2022: "Out of the Archives: The Early Film works of George Sirk".
From the program notes: "George's films showcase a snapshot - in moving pictures - of some madcap antics, dramatization, and documentaries of life on Cortes during that period [1975-1981] and were inspired by the great humourists of silent film; Chaplin, Keaton and Jacques Tati (Monsieur Hulot), and likewise delight in stitching reality. Mostly shot in sequentially edited (in the camera, like the great film makers mentioned), rehearsals were key to smooth transitions and conserved valuable film stock."
This series contains early film works of George Sirk, shot on 16mm and Super 8 film and digitized by Doug McCaffry, of ScanLab, in 2022. Films include Cortes Island short films, two feature documentaries, and two longer films shot in Australia. They were shown at a film festival presented by Cortes Cinema and the Cortes Island Museum on July 17, 2022: "Out of the Archives: The Early Film works of George Sirk".
From the program notes: "George's films showcase a snapshot - in moving pictures - of some madcap antics, dramatization, and documentaries of life on Cortes during that period [1975-1981] and were inspired by the great humourists of silent film; Chaplin, Keaton and Jacques Tati (Monsieur Hulot), and likewise delight in stitching reality. Mostly shot in sequentially edited (in the camera, like the great film makers mentioned), rehearsals were key to smooth transitions and conserved valuable film stock."
"Note the 38.55 Winchester rifle leaning on porch rail beside Frank. This and the .56 were since referred to as the guns that "won the West". Frank holds a .22 Winchester that got many grouse and some deer. The 38.55 W. was Frank Tooker Sr's and now belongs to grandson Fred Reedel--a keepsake from early days on Cortes Island."
"Note the 38.55 Winchester rifle leaning on porch rail beside Frank. This and the .56 were since referred to as the guns that "won the West". Frank holds a .22 Winchester that got many grouse and some deer. The 38.55 W. was Frank Tooker Sr's and now belongs to grandson Fred Reedel--a keepsake from early days on Cortes Island."
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