This recording was made at a party at John and Joanne Wasyliw's property, formerly part of the John Manson farm. It includes recollections of Rose (Manson) McKay, and a sing-along interspersed with conversation.
This recording was made at a party at John and Joanne Wasyliw's property, formerly part of the John Manson farm. It includes recollections of Rose (Manson) McKay, and a sing-along interspersed with conversation.
Item is an interview of Etta and Clarence Byers by Oonagh O'Connor. Etta Byers was a granddaughter of Mike Manson, and she talks about her family history, Cortes people and incidents, and memories of growing up on the island. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Item is an interview of Etta and Clarence Byers by Oonagh O'Connor. Etta Byers was a granddaughter of Mike Manson, and she talks about her family history, Cortes people and incidents, and memories of growing up on the island. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Item consists of the continuation of an interview with Etta and Clarence Byers by Oonagh O'Connor. On Side A, Etta Byers talks about her childhood on Cortes, how she met Clarence and her married life in Seaford, Von Donop, Powell River and Courtenay. On Side B, Clarence talks about when his family moved to Cortes Island, and his experiences logging, starting at age thirteen. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Item consists of the continuation of an interview with Etta and Clarence Byers by Oonagh O'Connor. On Side A, Etta Byers talks about her childhood on Cortes, how she met Clarence and her married life in Seaford, Von Donop, Powell River and Courtenay. On Side B, Clarence talks about when his family moved to Cortes Island, and his experiences logging, starting at age thirteen. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
This is the continuation (Part 3) of an interview of Etta and Clarence Byers by Oonagh O'Connor. Clarence talks about his family history; moving to Cortes Island, logging on Cortes in the Von Donop/Blue Jay Lake/Carrington Bay area; road-building; and the arrival of Japanese oysters to Cortes beaches in ca. 1938. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
This is the continuation (Part 3) of an interview of Etta and Clarence Byers by Oonagh O'Connor. Clarence talks about his family history; moving to Cortes Island, logging on Cortes in the Von Donop/Blue Jay Lake/Carrington Bay area; road-building; and the arrival of Japanese oysters to Cortes beaches in ca. 1938. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
VHS contains interviews about Hollyhock, Bertha Jeffery's store, salal pickers, woodwork, artists/crafts, school principal, and Carl Triller, a project of students at the Cortes Island School.
Donated by Anna and Alois Stranan; tapes are from Anna's time as a teacher at the Cortes Island School.
Scope and Content
VHS contains interviews about Hollyhock, Bertha Jeffery's store, salal pickers, woodwork, artists/crafts, school principal, and Carl Triller, a project of students at the Cortes Island School.
Photograph of a wood shingled house at the Robertson homestead, Burnside. The house is surrounded by bushes and vines. Two men and a boy are standing to the left; a person dressed all in white is lying on the ground.
Photograph of a wood shingled house at the Robertson homestead, Burnside. The house is surrounded by bushes and vines. Two men and a boy are standing to the left; a person dressed all in white is lying on the ground.
CD of music: The Gig that Never Was (old standards recorded at the home of Gordie Carr ca. 1988 with Art Monk on saxophone and clarinet, Gordie Carr on piano; George Lake added his part at his home in Edmonton, Alta. in 2001); and a waltz medley by the Old Timers (Gordie Carr, piano; Elmer Ellingsen, accordion; Art Monk, alto saxophone; Dave Blinzinger, baritone or bass saxophone, Peter Gregg, drums).
CD of music: The Gig that Never Was (old standards recorded at the home of Gordie Carr ca. 1988 with Art Monk on saxophone and clarinet, Gordie Carr on piano; George Lake added his part at his home in Edmonton, Alta. in 2001); and a waltz medley by the Old Timers (Gordie Carr, piano; Elmer Ellingsen, accordion; Art Monk, alto saxophone; Dave Blinzinger, baritone or bass saxophone, Peter Gregg, drums).
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