Meg Robertson (Shaw), Margaret Middleton, Margaret Copland and Elsie Allen seated on a beached rowboat at a sandy beach at the lake at Manson's Landing. Other people, including children, can be seen in the background.
Meg Robertson (Shaw), Margaret Middleton, Margaret Copland and Elsie Allen seated on a beached rowboat at a sandy beach at the lake at Manson's Landing. Other people, including children, can be seen in the background.
Photograph of Joyce Allen, Dorothy Huck and Margaret Middleton standing on the wharf in Whaletown. Two women are sitting on a bench beside the freight shed behind them.
Photograph of Joyce Allen, Dorothy Huck and Margaret Middleton standing on the wharf in Whaletown. Two women are sitting on a bench beside the freight shed behind them.
Photograph of Billie Barrett, Len Hawkins and Margaret Copland seated on the wharf in Whaletown. Whaletown Lagoon and houses across the bay can be seen in the background.
Photograph of Billie Barrett, Len Hawkins and Margaret Copland seated on the wharf in Whaletown. Whaletown Lagoon and houses across the bay can be seen in the background.
Photograph of the clinic building, with the Rectory beside it. Note the lack of telephone and electrical lines, which indicates the date is between 1950 and 1969.
Photograph of the clinic building, with the Rectory beside it. Note the lack of telephone and electrical lines, which indicates the date is between 1950 and 1969.
Photograph is an overview of Whaletown and Whaletown Bay, showing the dock and freight shed and the houses across the bay near the current site of the ferry dock.
Photograph is an overview of Whaletown and Whaletown Bay, showing the dock and freight shed and the houses across the bay near the current site of the ferry dock.
Photograph of a group of people in front of the freight shed on the Whaletown wharf. A sticker on the back indicates the photograph was originally from the collection of Gilean Douglas.
Photograph of a group of people in front of the freight shed on the Whaletown wharf. A sticker on the back indicates the photograph was originally from the collection of Gilean Douglas.