This collection consists of ten photograph albums (binders) compiled and annotated by May Ellingsen. The albums contain both original and reproduced photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island. They are accompanied by captions and additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. Fonds consists of two series: Series 1 (The May Ellingsen Historic Photograph Collection, Vol. 1-9, Accession 2004.003) and Series 2 (The Manson Family Album, Accession 2004.002).
Ten photograph albums (binders) containing 152 original photographs and 482 reproductions.
History / Biographical
May Ellingsen was born on March 13, 1914 to George and Robina Freeman. Her maternal grandfather, Michael Manson, was the first person to pre-empt land on Cortes Island, claiming a quarter section on Gunflint Lake in 1886. May spent her childhood on Hernando Island, where her family homesteaded and logged, and on Cortes Island, where she attended the log school at Manson's Landing.
In 1936 May married Elmer Ellingsen. They spent the next ten years in the Loughborough Inlet/Phillips Arm area while Elmer worked for his father's logging operations. During those years their children, Shirley, Bruce and Andy, were born. In 1946 the family moved to Von Donop Creek, where Elmer was logging. In 1950 they moved their float house, built at the time of their marriage, to Manson's Landing Lagoon and two years later, to its present permanent location on Hague Lake.
May and Elmer devoted much time and energy to building their community. Amongst her many community activities, May ran the library at Manson's Hall. She had a strong interest in local history, researching the history of land pre-emptions on the island, collecting and annotating photographs from pioneer families and recording interviews with old timers. She was a founder of the Cortes Island Museum and Archives Society; the archives reading room is named in her honor. Historical materials and artifacts gathered by May formed the kernel of the museum's collections and archives.
Custodial History
May Ellingsen created the albums in the 1980s, and kept adding to them throughout the 1990s. She kept them at the Manson's Landing library and then at the museum from 1999. She officially donated them to CIMAS in 2004.
Scope and Content
This collection consists of ten photograph albums (binders) compiled and annotated by May Ellingsen. The albums contain both original and reproduced photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island. They are accompanied by captions and additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. Fonds consists of two series: Series 1 (The May Ellingsen Historic Photograph Collection, Vol. 1-9, Accession 2004.003) and Series 2 (The Manson Family Album, Accession 2004.002).
Recording is an oral history interview of May Ellingsen by Oonagh O'Connor. May traces her family history and then talks about her childhood on Cortes and Hernando Islands; meeting and marrying Elmer; living in a float house at logging camps in Loughborough Inlet, Phillips Arm and Von Donop Inlet; and moving the house to Hague Lake in 1952. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of May Ellingsen by Oonagh O'Connor. May traces her family history and then talks about her childhood on Cortes and Hernando Islands; meeting and marrying Elmer; living in a float house at logging camps in Loughborough Inlet, Phillips Arm and Von Donop Inlet; and moving the house to Hague Lake in 1952. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of May Ellingsen by Martha Abelson and Jill Milton. Topics covered include Manson family history; May's reminiscences about her childhood on Cortes; schools.
Recording is an oral history interview of May Ellingsen by Martha Abelson and Jill Milton. Topics covered include Manson family history; May's reminiscences about her childhood on Cortes; schools.
Recording is an oral history interview of May and Elmer Ellingsen by Oonagh O'Connor. Topics covered include how Elmer came to the island and met May; logging experiences; Cortes roads and telephone system; and living at Von Donop Inlet. Several humorous stories are related. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of May and Elmer Ellingsen by Oonagh O'Connor. Topics covered include how Elmer came to the island and met May; logging experiences; Cortes roads and telephone system; and living at Von Donop Inlet. Several humorous stories are related. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Photograph is an overview of Whaletown and Whaletown Bay, showing the dock and freight shed and the houses across the bay near the current site of the ferry dock.
Photograph is an overview of Whaletown and Whaletown Bay, showing the dock and freight shed and the houses across the bay near the current site of the ferry dock.
Photograph of four young women pulling a wooden rowboat onto the shore, Gorge Harbour. Left to right: Dorothy Huck, Joyce Allen, Marge (?) and Jean Cornell. Identification comes from a photograph from the collection of Meg Robertson Shaw in the "Whaletown to 1930" album created by Doreen Huck Thompson.
Photograph of four young women pulling a wooden rowboat onto the shore, Gorge Harbour. Left to right: Dorothy Huck, Joyce Allen, Marge (?) and Jean Cornell. Identification comes from a photograph from the collection of Meg Robertson Shaw in the "Whaletown to 1930" album created by Doreen Huck Thompson.
