File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts a spindly Christmas tree with a seagull on the top (Gary Bergman always fed bacon scraps to the seagulls on Friday "meat days"). The inside depicts the inside of the store with Velma at the cash register.
File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts a spindly Christmas tree with a seagull on the top (Gary Bergman always fed bacon scraps to the seagulls on Friday "meat days"). The inside depicts the inside of the store with Velma at the cash register.
File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts Velma in the store, and the inside depicts a scene on the fish scow on the Whaletown wharf. Signed "Ness and Ken".
File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts Velma in the store, and the inside depicts a scene on the fish scow on the Whaletown wharf. Signed "Ness and Ken".
File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts a collection of record albums; the inside shows a scene on the Whaletown dock.
File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts a collection of record albums; the inside shows a scene on the Whaletown dock.
Copy of a poster advertising a General Meeting of the Whaletown Community Club at the Church Hall, with a cartoon drawing of two men fighting. The original is owned by the Whaletown Community Club and is hanging at the Gorge Hall.
Copy of a poster advertising a General Meeting of the Whaletown Community Club at the Church Hall, with a cartoon drawing of two men fighting. The original is owned by the Whaletown Community Club and is hanging at the Gorge Hall.
File contains two catalogs of the "Curiouser & Curiouser" exhibit in the Cortes Island Museum, 2019/2020, curated by Christian Gronau.
Modelled loosely on the fabled cabinets, boxes, rooms and chambers of the Renaissance, this exhibition was an invitation to reawaken the unreserved and almost childlike interest and curiosity of age when Europeans shook off the shadows of the Dark Ages and awoke to the fascination of the external world. When people of intellect and time to spare went (for better and for worse) in search of adventure, discovery and illumination, to all the corners of the Earth. They came back with stories full of wonder and brought back specimens full of mystery and promise. Their curiosity changed forever the ways in which humans look upon the world.
File contains two catalogs of the "Curiouser & Curiouser" exhibit in the Cortes Island Museum, 2019/2020, curated by Christian Gronau.
Modelled loosely on the fabled cabinets, boxes, rooms and chambers of the Renaissance, this exhibition was an invitation to reawaken the unreserved and almost childlike interest and curiosity of age when Europeans shook off the shadows of the Dark Ages and awoke to the fascination of the external world. When people of intellect and time to spare went (for better and for worse) in search of adventure, discovery and illumination, to all the corners of the Earth. They came back with stories full of wonder and brought back specimens full of mystery and promise. Their curiosity changed forever the ways in which humans look upon the world.
Emails, posts in tideline, brainstorming ideas and notes for the Big Tree exhibit; posts about the medicinal and endangered agarikon mushroom and Paul Stamets; receipts and donations related to the exhibit; Big Tree postcards; contest tickets; exhibit activity book. Historical context for oldgrowth, Douglas Fir, and logging: scans from Whaletown album, 1922-1930; article on tree diseases in Forest and Mill, 1948; article about Douglas Fir in Maclean's Magazine, 1958
Emails, posts in tideline, brainstorming ideas and notes for the Big Tree exhibit; posts about the medicinal and endangered agarikon mushroom and Paul Stamets; receipts and donations related to the exhibit; Big Tree postcards; contest tickets; exhibit activity book. Historical context for oldgrowth, Douglas Fir, and logging: scans from Whaletown album, 1922-1930; article on tree diseases in Forest and Mill, 1948; article about Douglas Fir in Maclean's Magazine, 1958
Newspaper clippings and articles re: Bute Inlet hydro project; Plutonic Power; run-of-river projects; Friends of Bute; Bute history; exhibition; But Inlet boat tour. Emails re: art; grants; curation of exhibit; critique of Rob Wood and CIMAS by Klahoose member Ken Hanuse; request for Open Meadows Project song performance by Klahoose member Brenda Hansen; display cabinets; exhibit fees. Review of exhibit by Marcel Creurer; project proposal sent to the Vancouver Foundation; handwritten notes by Lynne Jordan and Judy WIlliams; invoices; records of financial contributions; promotional material; photographs
Newspaper clippings and articles re: Bute Inlet hydro project; Plutonic Power; run-of-river projects; Friends of Bute; Bute history; exhibition; But Inlet boat tour. Emails re: art; grants; curation of exhibit; critique of Rob Wood and CIMAS by Klahoose member Ken Hanuse; request for Open Meadows Project song performance by Klahoose member Brenda Hansen; display cabinets; exhibit fees. Review of exhibit by Marcel Creurer; project proposal sent to the Vancouver Foundation; handwritten notes by Lynne Jordan and Judy WIlliams; invoices; records of financial contributions; promotional material; photographs
Recording consists of a round-table discussion, held to gather information for the "The Von Donop Creek Story" exhibit. Participants were [CHECK] (see 1999.004.047 for Parts 1 and 2)
Recording consists of a round-table discussion, held to gather information for the "The Von Donop Creek Story" exhibit. Participants were [CHECK] (see 1999.004.047 for Parts 1 and 2)
Recording consists of interviews with Fred Reedel and Frank Tooker, done to gather information for the "Windows on Whaletown" exhibit. (see also 1999.004.034, for Part 2)
Recording consists of interviews with Fred Reedel and Frank Tooker, done to gather information for the "Windows on Whaletown" exhibit. (see also 1999.004.034, for Part 2)
