Photograph of St. George's Hospital in Alert Bay, five years after it was built. (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
Photograph of St. George's Hospital in Alert Bay, five years after it was built. (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
This series contains early film works of George Sirk, shot on 16mm and Super 8 film and digitized by Doug McCaffry, of ScanLab, in 2022. Films include Cortes Island short films, two feature documentaries, and two longer films shot in Australia. They were shown at a film festival presented by Cortes Cinema and the Cortes Island Museum on July 17, 2022: "Out of the Archives: The Early Film works of George Sirk".
From the program notes: "George's films showcase a snapshot - in moving pictures - of some madcap antics, dramatization, and documentaries of life on Cortes during that period [1975-1981] and were inspired by the great humourists of silent film; Chaplin, Keaton and Jacques Tati (Monsieur Hulot), and likewise delight in stitching reality. Mostly shot in sequentially edited (in the camera, like the great film makers mentioned), rehearsals were key to smooth transitions and conserved valuable film stock."
This series contains early film works of George Sirk, shot on 16mm and Super 8 film and digitized by Doug McCaffry, of ScanLab, in 2022. Films include Cortes Island short films, two feature documentaries, and two longer films shot in Australia. They were shown at a film festival presented by Cortes Cinema and the Cortes Island Museum on July 17, 2022: "Out of the Archives: The Early Film works of George Sirk".
From the program notes: "George's films showcase a snapshot - in moving pictures - of some madcap antics, dramatization, and documentaries of life on Cortes during that period [1975-1981] and were inspired by the great humourists of silent film; Chaplin, Keaton and Jacques Tati (Monsieur Hulot), and likewise delight in stitching reality. Mostly shot in sequentially edited (in the camera, like the great film makers mentioned), rehearsals were key to smooth transitions and conserved valuable film stock."
Three greeting cards designed by artist Mary Weiler, who lived in Whaletown, and a series of four pen and ink drawings illustrating life aboard a fish boat. The latter were probably used as illustrations for an article written by Douglas (see Box 1 folder 29).
Three greeting cards designed by artist Mary Weiler, who lived in Whaletown, and a series of four pen and ink drawings illustrating life aboard a fish boat. The latter were probably used as illustrations for an article written by Douglas (see Box 1 folder 29).
Photograph of "George Parsons in his home bay on Quadra. Behind him is the house which is now at Campbell River." (Gilean Douglas' typed caption, taped to photo)
2 photograph prints: b&w; 9 x 6.5 cm and 17 x 12 cm
Scope and Content
Photograph of "George Parsons in his home bay on Quadra. Behind him is the house which is now at Campbell River." (Gilean Douglas' typed caption, taped to photo)
Photograph of a Don Maclean sitting at a kitchen table with a large balloon glass in front of him and several bottles of whiskey on the table. The photograph was taken in Mary (McClain Tucker) McMillan's house in Coulter Bay. See also #1999.001.747
Photograph of a Don Maclean sitting at a kitchen table with a large balloon glass in front of him and several bottles of whiskey on the table. The photograph was taken in Mary (McClain Tucker) McMillan's house in Coulter Bay. See also #1999.001.747
