Florence (L) and Flossie (R) Manson, twin daughters of Michael and Jane Manson, standing in front of the porch of the Mike Manson home at Manson's Landing. They went to Vancouver in 1915 to take up dressmaking and millinery lessons along with younger sister Gwen (not pictured).
Florence (L) and Flossie (R) Manson, twin daughters of Michael and Jane Manson, standing in front of the porch of the Mike Manson home at Manson's Landing. They went to Vancouver in 1915 to take up dressmaking and millinery lessons along with younger sister Gwen (not pictured).
Florence (Manson) McKay, ready to cut her 90th birthday cake at a party held at the Manson's Landing Community Hall. A news clipping accompanying the photograph provides details of Florence's life and family.
Florence was born to Michael and Jane Manson at home in Union Bay, January 21, 1900. Florence married Ervin McKay, a fireman with the Vancouver Fire Department. In 1929, Michael Manson turned his farm at Hague Lake over to Florence. Florence and Ervin lived there until they retired in 1950 and moved to Courtenay. The farm was turned over to their daughter Hazel and her husband Ken Hansen. Florence was widowed in 1978 and returned to Cortes to live with Hazel, who had sold the farm (subsequently renamed Linnaea Farm) but kept sixteen acres to retire on.
Florence (Manson) McKay, ready to cut her 90th birthday cake at a party held at the Manson's Landing Community Hall. A news clipping accompanying the photograph provides details of Florence's life and family.
Florence was born to Michael and Jane Manson at home in Union Bay, January 21, 1900. Florence married Ervin McKay, a fireman with the Vancouver Fire Department. In 1929, Michael Manson turned his farm at Hague Lake over to Florence. Florence and Ervin lived there until they retired in 1950 and moved to Courtenay. The farm was turned over to their daughter Hazel and her husband Ken Hansen. Florence was widowed in 1978 and returned to Cortes to live with Hazel, who had sold the farm (subsequently renamed Linnaea Farm) but kept sixteen acres to retire on.
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Nine photograph albums (binders) holding 554 photographs with accompanying descriptions.
Custodial History
May Ellingsen put this collection together in the mid 1980s. She collected hundreds of old photographs from 30 donor families which were then copied and catalogued by the Campbell River Museum in 1985, with funding from the Canada Council and Canada Works. (see "Musings", a publication of the CR Museum & Archives Society, Vol. IV #1, March 1985) The Campbell River Museum made negatives and two copies of the photographs; the originals were then returned to the donor families. One copy of each photo was given to May, who arranged them in albums and added her commentary. She continued to add to the albums through the 1990s, adding 72 original photographs and more descriptions. She kept the albums in the library in the Manson's Hall and then in the Cortes Museum when it opened in 1999. The albums were officially donated to CIMAS in 2004.
Scope and Content
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Item level finding aid is available for the 72 original photographs.
Copyright
The Campbell River Archives has negatives for the copied photographs in the Collection and makes prints on request for a charge according to their policy and according to the wishes of the donors. Donor/source cards were filled out by each family donating photographs and include restrictions on use in some cases. They are on file at the Campbell River Archives.
CIMAS holds the copyright on the 72 original photographs in these albums.
Photograph of the Manson's Landing wharf, taken from the water at high tide. It includes the oil and wharf sheds on the dock, an unknown scow boat with cabin at the float and the store ashore. Note: telephone poles from the original phone line across the mouth of the lagoon; higher banks along the shoreline.
Photograph of the Manson's Landing wharf, taken from the water at high tide. It includes the oil and wharf sheds on the dock, an unknown scow boat with cabin at the float and the store ashore. Note: telephone poles from the original phone line across the mouth of the lagoon; higher banks along the shoreline.
Photograph of Manson's Landing wharf, with Cat and Kitten Islands in the bacckground. Their are two sheds at the end of the dock above the ramp, and an old car is parked beside them. (date?)
Photograph of Manson's Landing wharf, with Cat and Kitten Islands in the bacckground. Their are two sheds at the end of the dock above the ramp, and an old car is parked beside them. (date?)
Series consists of 80 photographs with typed explanatory captions, depicting scenes and activities relating to the Manson's Landing school, general scenes of Cortes Island, and James Nixon family of Twin Islands. Many of the the photographs have information written on their backs.
May Ellingsen compiled this album from photographs in the possession of the Manson family and wrote the explanatory captions. The photographs of Manson's school were taken by Katherine Lettice, the teacher at the time; photographs of Twin Islands were taken by the Nixon family, who lived there and were friends of the Manson family. Photographs were turned over to May by Rose or John Manson. Some photographs were in May's possession as her mother, Robina (Manson) Freeman, was a daughter of Michael Manson.
Scope and Content
Series consists of 80 photographs with typed explanatory captions, depicting scenes and activities relating to the Manson's Landing school, general scenes of Cortes Island, and James Nixon family of Twin Islands. Many of the the photographs have information written on their backs.
Photograph of the Manson's Landing school in the background. A man is seated on a tractor, with several children around him; there is a car in the right foreground, and a truck behind.
Photograph of the Manson's Landing school in the background. A man is seated on a tractor, with several children around him; there is a car in the right foreground, and a truck behind.
The Manson's Landing store in Mansons Landing Provincial Park. This photograph was taken a few months before the building was moved to Beasley Rd. to become the Cortes Island Museum.
The Manson's Landing store in Mansons Landing Provincial Park. This photograph was taken a few months before the building was moved to Beasley Rd. to become the Cortes Island Museum.