Photograph of Paul Kirmmse's dome at Redlands, a 160-acre land cooperative at the north end of Robertson Road. Redlands is the name given to the property by the original pre-emptors, the David and Alice Robertson family.
Photograph of Paul Kirmmse's dome at Redlands, a 160-acre land cooperative at the north end of Robertson Road. Redlands is the name given to the property by the original pre-emptors, the David and Alice Robertson family.
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: Cedar DeTrey, Mike ?, John Shook
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: Cedar DeTrey, Mike ?, John Shook
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: Kiyoshi Kosky, Pierre DeTrey, Cedar DeTrey
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: Kiyoshi Kosky, Pierre DeTrey, Cedar DeTrey
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: John Shook, Justin Stirn, Pierre DeTrey, Kiyoshi Kosky, Cedar DeTrey.
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: John Shook, Justin Stirn, Pierre DeTrey, Kiyoshi Kosky, Cedar DeTrey.
L to R: Kiyoshi Kosky, Justin Stirn, Mike ?, John Shook
Part of a series of 8 photographs which document a clean-up at the proposed Carrington Bay Park site. The squatters' cabin was built in the 1970s, on the east side of Carrington Bay.
L to R: Kiyoshi Kosky, Justin Stirn, Mike ?, John Shook
Part of a series of 8 photographs which document a clean-up at the proposed Carrington Bay Park site. The squatters' cabin was built in the 1970s, on the east side of Carrington Bay.
L to R: John Shook, Justin Stirn, Pierre DeTrey, Kiyoshi Kosky, Cedar DeTrey
Part of a series of 8 photographs which document a clean-up at the proposed Carrington Bay Park site. The squatters' cabin was built in the 1970s, on the east side of Carrington Bay.
L to R: John Shook, Justin Stirn, Pierre DeTrey, Kiyoshi Kosky, Cedar DeTrey
Part of a series of 8 photographs which document a clean-up at the proposed Carrington Bay Park site. The squatters' cabin was built in the 1970s, on the east side of Carrington Bay.
This series contains early film works of George Sirk, shot on 16mm and Super 8 film and digitized by Doug McCaffry, of ScanLab, in 2022. Films include Cortes Island short films, two feature documentaries, and two longer films shot in Australia. They were shown at a film festival presented by Cortes Cinema and the Cortes Island Museum on July 17, 2022: "Out of the Archives: The Early Film works of George Sirk".
From the program notes: "George's films showcase a snapshot - in moving pictures - of some madcap antics, dramatization, and documentaries of life on Cortes during that period [1975-1981] and were inspired by the great humourists of silent film; Chaplin, Keaton and Jacques Tati (Monsieur Hulot), and likewise delight in stitching reality. Mostly shot in sequentially edited (in the camera, like the great film makers mentioned), rehearsals were key to smooth transitions and conserved valuable film stock."
This series contains early film works of George Sirk, shot on 16mm and Super 8 film and digitized by Doug McCaffry, of ScanLab, in 2022. Films include Cortes Island short films, two feature documentaries, and two longer films shot in Australia. They were shown at a film festival presented by Cortes Cinema and the Cortes Island Museum on July 17, 2022: "Out of the Archives: The Early Film works of George Sirk".
From the program notes: "George's films showcase a snapshot - in moving pictures - of some madcap antics, dramatization, and documentaries of life on Cortes during that period [1975-1981] and were inspired by the great humourists of silent film; Chaplin, Keaton and Jacques Tati (Monsieur Hulot), and likewise delight in stitching reality. Mostly shot in sequentially edited (in the camera, like the great film makers mentioned), rehearsals were key to smooth transitions and conserved valuable film stock."