Photograph of Paul Kirmmse's dome at Redlands, a 160-acre land cooperative at the north end of Robertson Road. Redlands is the name given to the property by the original pre-emptors, the David and Alice Robertson family.
Photograph of Paul Kirmmse's dome at Redlands, a 160-acre land cooperative at the north end of Robertson Road. Redlands is the name given to the property by the original pre-emptors, the David and Alice Robertson family.
File contains scanned copies of photographs donated by Jim Palmer for the Carrington Bay exhibit in 2009, depicting the community living in Carrington Bay in the 1970s and 1980s.
Jim Palmer and Jan Gemmel lived in a house on the west side of the log jam between Carrington Lagoon and Carrington Bay. Jim built the house at the property of John and Anna Gregg in Manson's Landing and relocated it onto pilings in Carrington Bay. Jim and Jan later fabricated steel pontoons for it. In 1985 the house was moved onto the floats and towed into Gorge Harbour by Bob Thompson with his boat "Sutil Chief".
File contains scanned copies of photographs donated by Jim Palmer for the Carrington Bay exhibit in 2009, depicting the community living in Carrington Bay in the 1970s and 1980s.
Jim Palmer and Jan Gemmel lived in a house on the west side of the log jam between Carrington Lagoon and Carrington Bay. Jim built the house at the property of John and Anna Gregg in Manson's Landing and relocated it onto pilings in Carrington Bay. Jim and Jan later fabricated steel pontoons for it. In 1985 the house was moved onto the floats and towed into Gorge Harbour by Bob Thompson with his boat "Sutil Chief".
(L to R): Isolde Ruthenberg, Sheril Matthews, Gloria Jorg and Paul Kirmmse performing "Hit the Road Jack" at a Gorge Hall Variety Night. The name of the group was based on the doo-wop band Ray Charles and the Raylettes.
(L to R): Isolde Ruthenberg, Sheril Matthews, Gloria Jorg and Paul Kirmmse performing "Hit the Road Jack" at a Gorge Hall Variety Night. The name of the group was based on the doo-wop band Ray Charles and the Raylettes.
File contains photograph loan agreements with the Campbell River Museum for photographs May Ellingsen was borrowing from Cortes Island settler families for reproduction by the Campbell River Museum.
File contains photograph loan agreements with the Campbell River Museum for photographs May Ellingsen was borrowing from Cortes Island settler families for reproduction by the Campbell River Museum.
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Nine photograph albums (binders) holding 554 photographs with accompanying descriptions.
Custodial History
May Ellingsen put this collection together in the mid 1980s. She collected hundreds of old photographs from 30 donor families which were then copied and catalogued by the Campbell River Museum in 1985, with funding from the Canada Council and Canada Works. (see "Musings", a publication of the CR Museum & Archives Society, Vol. IV #1, March 1985) The Campbell River Museum made negatives and two copies of the photographs; the originals were then returned to the donor families. One copy of each photo was given to May, who arranged them in albums and added her commentary. She continued to add to the albums through the 1990s, adding 72 original photographs and more descriptions. She kept the albums in the library in the Manson's Hall and then in the Cortes Museum when it opened in 1999. The albums were officially donated to CIMAS in 2004.
Scope and Content
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Item level finding aid is available for the 72 original photographs.
Copyright
The Campbell River Archives has negatives for the copied photographs in the Collection and makes prints on request for a charge according to their policy and according to the wishes of the donors. Donor/source cards were filled out by each family donating photographs and include restrictions on use in some cases. They are on file at the Campbell River Archives.
CIMAS holds the copyright on the 72 original photographs in these albums.
File contains May Ellingsen's notes on a project, sponsored by the Campbell River Museum, to find and preserve old photographs of the area. It also contains correspondence from Sue Hetherington on island settlement history.
File contains May Ellingsen's notes on a project, sponsored by the Campbell River Museum, to find and preserve old photographs of the area. It also contains correspondence from Sue Hetherington on island settlement history.
File consists of the Fall 1957 issue of "The Challenge", a publication of the B.C. Diocese of the Anglican Church, containing a photograph of the church of St. John the Baptist in Whaletown taken by Doris Maclean, which was the winner of a picture contest.
File consists of the Fall 1957 issue of "The Challenge", a publication of the B.C. Diocese of the Anglican Church, containing a photograph of the church of St. John the Baptist in Whaletown taken by Doris Maclean, which was the winner of a picture contest.
