File contains two catalogs of the "Curiouser & Curiouser" exhibit in the Cortes Island Museum, 2019/2020, curated by Christian Gronau.
Modelled loosely on the fabled cabinets, boxes, rooms and chambers of the Renaissance, this exhibition was an invitation to reawaken the unreserved and almost childlike interest and curiosity of age when Europeans shook off the shadows of the Dark Ages and awoke to the fascination of the external world. When people of intellect and time to spare went (for better and for worse) in search of adventure, discovery and illumination, to all the corners of the Earth. They came back with stories full of wonder and brought back specimens full of mystery and promise. Their curiosity changed forever the ways in which humans look upon the world.
File contains two catalogs of the "Curiouser & Curiouser" exhibit in the Cortes Island Museum, 2019/2020, curated by Christian Gronau.
Modelled loosely on the fabled cabinets, boxes, rooms and chambers of the Renaissance, this exhibition was an invitation to reawaken the unreserved and almost childlike interest and curiosity of age when Europeans shook off the shadows of the Dark Ages and awoke to the fascination of the external world. When people of intellect and time to spare went (for better and for worse) in search of adventure, discovery and illumination, to all the corners of the Earth. They came back with stories full of wonder and brought back specimens full of mystery and promise. Their curiosity changed forever the ways in which humans look upon the world.
"The Whale People", written by Roderick Haig-Brown and illustrated by Mary Weiler, with dust cover and inscription on title page: "For Mary, most gratefully, Rod Haig-Brown". Brigid Weiler posed for some of the drawings.
Published by Collins, St. James's Place, London: 1962
Physical Description
1 book, 184 pages
Custodial History
Donated by Brigid Weiler, Feb. 2022
Scope and Content
"The Whale People", written by Roderick Haig-Brown and illustrated by Mary Weiler, with dust cover and inscription on title page: "For Mary, most gratefully, Rod Haig-Brown". Brigid Weiler posed for some of the drawings.
