From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
From the "Out of the Archives" program: "This extravaganza marked the peak of Cortes Cinema's (CC) exploits in madness. Inspired by Saturday being the day that Cortes's gravel roads were littered in paper garbage (it flew off the dump truck). The script was a collaboration of some of the most unstable minds at CC's arsenal. The plot is, like the scriptwriters' minds, simple, but the late Al Murray's acting as the Lone Ranger left eceryone in the dust. The film is a tribute to Al, the funniest man that stepped in front of the CC's lens. Shot on Super 8 on location at the Cortes Island Dump."
Cast: Al Murray, Pierre & Wendy deTrey, Jean Fontaine, Jim Palmer, Isolde Ruthenberg
Cameos: Gary Bergman, the Reverand Rollo Boas, Wlmer Ellingsen, Jo-Ann Green, Peggy (the Queen of Cortes) Newsham, George Sirk
From the "Out of the Archives" program: "This extravaganza marked the peak of Cortes Cinema's (CC) exploits in madness. Inspired by Saturday being the day that Cortes's gravel roads were littered in paper garbage (it flew off the dump truck). The script was a collaboration of some of the most unstable minds at CC's arsenal. The plot is, like the scriptwriters' minds, simple, but the late Al Murray's acting as the Lone Ranger left eceryone in the dust. The film is a tribute to Al, the funniest man that stepped in front of the CC's lens. Shot on Super 8 on location at the Cortes Island Dump."
Cast: Al Murray, Pierre & Wendy deTrey, Jean Fontaine, Jim Palmer, Isolde Ruthenberg
Cameos: Gary Bergman, the Reverand Rollo Boas, Wlmer Ellingsen, Jo-Ann Green, Peggy (the Queen of Cortes) Newsham, George Sirk
File contains a photocopied part of a map showing the locations of researched property in the Whaletown Lagoon and Whaletown Harbour area. The map is glued to an envelope which has a list of Crown grants and other conveyances on the back.
It contains photocopies of original land grants and other conveyances for the following:
Moses Ireland: 1893, Crown Grant for the W 1/2 of SW 1/4 of Sec 35 and W 1/2 of the SW 1/4 of Section 34
Joseph Youart: 1900, Crown Grant for Fractional NE 1/4 of Sec 35 (sold to Alice Robertson in 1908; "Burnside" is still in the Robertson family).
Nicholas Thompson: 1920, Crown Grant for the Fractional SW 1/4 of Sec 35
Charles Strange: 1914, Crown Grant for the NW 1/4 of Sec 35
File contains a photocopied part of a map showing the locations of researched property in the Whaletown Lagoon and Whaletown Harbour area. The map is glued to an envelope which has a list of Crown grants and other conveyances on the back.
It contains photocopies of original land grants and other conveyances for the following:
Moses Ireland: 1893, Crown Grant for the W 1/2 of SW 1/4 of Sec 35 and W 1/2 of the SW 1/4 of Section 34
Joseph Youart: 1900, Crown Grant for Fractional NE 1/4 of Sec 35 (sold to Alice Robertson in 1908; "Burnside" is still in the Robertson family).
Nicholas Thompson: 1920, Crown Grant for the Fractional SW 1/4 of Sec 35
Charles Strange: 1914, Crown Grant for the NW 1/4 of Sec 35
File contains a copy of the bylaw and map of 1995, a summary of the changes (meant to reconcile 25 year gap between the previous zoning bylaws and the current OCP), and a completion and adoption strategy.
File contains a copy of the bylaw and map of 1995, a summary of the changes (meant to reconcile 25 year gap between the previous zoning bylaws and the current OCP), and a completion and adoption strategy.
Map of the British Empire, drawn by Eric Dinickel for publication in the June, 1953 issue of Maclean’s (the month of the coronation of Queen Elizabeth II). Printed in full colour.
Map of the British Empire, drawn by Eric Dinickel for publication in the June, 1953 issue of Maclean’s (the month of the coronation of Queen Elizabeth II). Printed in full colour.
