Photograph shows the front view of the store in Whaletown, the Whaletown Trading Post. A woman in a red sweater is looking at the bulletin board. This is a postcard printed in the 1990s, from a photograph taken by Doug Alderson, Jalmar Olson's son-in-law and Judy Alderson's father.
Photograph shows the front view of the store in Whaletown, the Whaletown Trading Post. A woman in a red sweater is looking at the bulletin board. This is a postcard printed in the 1990s, from a photograph taken by Doug Alderson, Jalmar Olson's son-in-law and Judy Alderson's father.
Photograph of the store in Whaletown, Petrie's Trading Post at the time. There is an ad for cigars on the building; a man smoking a pipe, and people are waving at the the "Rendezvous" leaving Whaletown Bay.
Photograph of the store in Whaletown, Petrie's Trading Post at the time. There is an ad for cigars on the building; a man smoking a pipe, and people are waving at the the "Rendezvous" leaving Whaletown Bay.
Photo shows the Whaletown store with the ramp to the wharf to the side. A storage shed is to the left, and the post office can be seen in the background.
Photo shows the Whaletown store with the ramp to the wharf to the side. A storage shed is to the left, and the post office can be seen in the background.
File contains an account by May Ellingsen of the activities of the Cortes Island Historic Committee, the forerunner of the Cortes Island Museum & Archives Society.
File contains an account by May Ellingsen of the activities of the Cortes Island Historic Committee, the forerunner of the Cortes Island Museum & Archives Society.
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Nine photograph albums (binders) holding 554 photographs with accompanying descriptions.
Custodial History
May Ellingsen put this collection together in the mid 1980s. She collected hundreds of old photographs from 30 donor families which were then copied and catalogued by the Campbell River Museum in 1985, with funding from the Canada Council and Canada Works. (see "Musings", a publication of the CR Museum & Archives Society, Vol. IV #1, March 1985) The Campbell River Museum made negatives and two copies of the photographs; the originals were then returned to the donor families. One copy of each photo was given to May, who arranged them in albums and added her commentary. She continued to add to the albums through the 1990s, adding 72 original photographs and more descriptions. She kept the albums in the library in the Manson's Hall and then in the Cortes Museum when it opened in 1999. The albums were officially donated to CIMAS in 2004.
Scope and Content
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Item level finding aid is available for the 72 original photographs.
Copyright
The Campbell River Archives has negatives for the copied photographs in the Collection and makes prints on request for a charge according to their policy and according to the wishes of the donors. Donor/source cards were filled out by each family donating photographs and include restrictions on use in some cases. They are on file at the Campbell River Archives.
CIMAS holds the copyright on the 72 original photographs in these albums.
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