Photograph of Mary Weiler walking onto the ferry after a surprise farewell party on the day she moved away from the island. Mary Weiler is facing the camera; John Ashby is center, with pipe; Brigid Weiler in the long skirt.
Photograph of Mary Weiler walking onto the ferry after a surprise farewell party on the day she moved away from the island. Mary Weiler is facing the camera; John Ashby is center, with pipe; Brigid Weiler in the long skirt.
Fonds consists primarily of photographs and slides taken by Mary Weiler. Textual records include correspondence, several issues of the "Log" of the Columbia Coast Mission, and material about Victor Von Donop, for whom Von Donop Inlet is named.
Fonds is arranged in five series: 1: Photographs, 2: Correspondence, 3: Von Donop, 4: Ephemera, and 5: Books.
In April of 1947 Otto and Mary Weiler were recently returned from London, and they were war weary---Mary was recovering from tuberculosis, and Otto from injuries sustained in the army, and like most people in those days, they were left strapped by the Depression and the War--- but they had a dream. They chartered a boat, and traveled up the BC coast, seeking a place where they could live---in their words---"a happy, romantic, bohemian life".
Otto John—always known affectionately as Ottie---was born in Victoria, BC on March 27, 1903, to a well-to-do mercantile family. His grandparents, John and Christiana Weiler, arrive in Fort Victoria in the early 1850's from Germany by way of San Francisco, where they established a successful furniture factory and other businesses. Reminders of the Weiler family still exist in Victoria, most notably the six-story Weiler Building at the corner of Broad and Government streets, originally a grandly-appointed department store, and the Weiler cenotaph in Ross Bay cemetery.
Mary was born Mary Agnes Campbell on March 13, 1915, in Enderby, BC. Her grandparents were pioneers who arrived in the North Okanogan to farm in the 1880's. The family moved to New Westminster in 1921. After high school Mary studied nursing at the Royal Jubilee hospital in Victoria, and then departed for France, having decided to work her way around the world. When war broke out, however, she was evacuated from France at Dunkirk, and immediately joined the British army. She served a nurse in London for the duration of the war, and here she met Ottie, a major with the Canadian Scottish regiment. There were married in 1943, and both went back to their respective postings with the army, looking forward to the day when they could live together.
When Ottie and Mary sailed into Whaletown Bay, they were immediately enchanted by the house on the point, half-built and occupying 5 rocky acres of waterfront. They were urban and idealistic, and ready to throw themselves into life on a remote island. At first they turned their hand to fishing commercially. Their boat was twelve-foot clinker built inboard; a salmon license cost a dollar. In 1949 they were hired by Cece Stubbs to manage the Whaletown Store. When Gary and Velma Bergman bought the store in 1956, Ottie was offered the position of Whaletown postmaster, a job he held until a few months before his death.
Mary was an artist—a talented and serious one. In spite of the isolation of Cortes Island in those days, she made a name for herself as a British Columbia artist of note, showing her work widely and selling internationally. Her studio was the dining-room table, surrounded by a swirl of children, and her paintings and prints were created in the midst of the gardening, fishing and canning necessary to country survival.
Ottie was a writer---he had been a journalist before the war---and was a passionate gardener, fisherman, hunter and forager who tirelessly explored the trails and homesteads on the north end of Cortes, and beachcombed all his firewood.
They were both dedicated to community service. Ottie was Justice of the Peace, a thoughtful counselor once famously referred to by Gilean Douglas as 'a Justice who really practiced peace' and he also served on the boards of the Whaletown Community Club and other organizations for many years. Mary acted as a community nurse, as well as teaching First Aid classes, holding monthly clinics, and canvassing for the Canadian cancer society. She taught annual art classes and workshops for adults and children, and in the late '60s, she and Ottie opened a summer art gallery in their Whaletown home---the Garden Gallery---as a showcase for local artists and craftspeople.
Ottie and Mary had four daughters---Christina, born March 23rd, 1951; Brigid, born June 6th, 1953; Alexandra (who, however, has always gone by the nickname “Johnny”) born May 5th, 1955; and Sarah, born September 27th, 1958.
In 1973 Ottie died after a short illness, and Mary didn't want to stay in their dream home without him. In 1974 she sold the house and said farewell to Whaletown. Mary Weiler went on to many more adventures—studying, travelling, and always making art---and died in Victoria in1999.
[by Brigid Weiler, March 10, 2016]
Custodial History
This material was created or collected by Mary and Otto Weiler and donated to CIMAS by their daughter Brigid Weiler. The first accession was in 2003 (Accession #2003.002). There are two accruals: #2009.002 and #2017.001.
Scope and Content
Fonds consists primarily of photographs and slides taken by Mary Weiler. Textual records include correspondence, several issues of the "Log" of the Columbia Coast Mission, and material about Victor Von Donop, for whom Von Donop Inlet is named.
Fonds is arranged in five series: 1: Photographs, 2: Correspondence, 3: Von Donop, 4: Ephemera, and 5: Books.
Plucking some of the 50 chickens raised for meat before dinner and a dance, "Chicken Pluckers' Stomp".
L to R: (ID), (ID), Michael Gibbons (mostly hidden), Judy White in blue, (ID), Mark Mellieux (sp?), Lisa Gibbons
Plucking some of the 50 chickens raised for meat before dinner and a dance, "Chicken Pluckers' Stomp".
L to R: (ID), (ID), Michael Gibbons (mostly hidden), Judy White in blue, (ID), Mark Mellieux (sp?), Lisa Gibbons
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: Cedar DeTrey, Mike ?, John Shook
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: Cedar DeTrey, Mike ?, John Shook
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: Kiyoshi Kosky, Pierre DeTrey, Cedar DeTrey
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: Kiyoshi Kosky, Pierre DeTrey, Cedar DeTrey
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: John Shook, Justin Stirn, Pierre DeTrey, Kiyoshi Kosky, Cedar DeTrey.
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: John Shook, Justin Stirn, Pierre DeTrey, Kiyoshi Kosky, Cedar DeTrey.
File contains correspondence with School District 72 re the old Whaletown school property and building; a Bill of Sale for the school house for $1; a License Agreement for the school property for a term of 5 years for a fee of $150/year; a request to extend the lease for another 5 years (2015) and a receipt for payment of the annual lease fee (July 1 2015-June 30 2016).
File contains correspondence with School District 72 re the old Whaletown school property and building; a Bill of Sale for the school house for $1; a License Agreement for the school property for a term of 5 years for a fee of $150/year; a request to extend the lease for another 5 years (2015) and a receipt for payment of the annual lease fee (July 1 2015-June 30 2016).
L to R: Kiyoshi Kosky, Justin Stirn, Mike ?, John Shook
Part of a series of 8 photographs which document a clean-up at the proposed Carrington Bay Park site. The squatters' cabin was built in the 1970s, on the east side of Carrington Bay.
L to R: Kiyoshi Kosky, Justin Stirn, Mike ?, John Shook
Part of a series of 8 photographs which document a clean-up at the proposed Carrington Bay Park site. The squatters' cabin was built in the 1970s, on the east side of Carrington Bay.
L to R: John Shook, Justin Stirn, Pierre DeTrey, Kiyoshi Kosky, Cedar DeTrey
Part of a series of 8 photographs which document a clean-up at the proposed Carrington Bay Park site. The squatters' cabin was built in the 1970s, on the east side of Carrington Bay.
L to R: John Shook, Justin Stirn, Pierre DeTrey, Kiyoshi Kosky, Cedar DeTrey
Part of a series of 8 photographs which document a clean-up at the proposed Carrington Bay Park site. The squatters' cabin was built in the 1970s, on the east side of Carrington Bay.
