One of a series of 20 photographs documenting the move of the old Manson's Landing store from its position by the wharf in Mansons Landing Provincial Park to the present Museum site on Beasley Rd. The photographs are from an envelope labelled "Moving Museum, Dec. 1995. Moved by Able Transport. Paid for by Elmer and May Ellingsen."
Found in Information Files folder (Cortes Island Museum & Archives info"), Jan. 2021
Scope and Content
One of a series of 20 photographs documenting the move of the old Manson's Landing store from its position by the wharf in Mansons Landing Provincial Park to the present Museum site on Beasley Rd. The photographs are from an envelope labelled "Moving Museum, Dec. 1995. Moved by Able Transport. Paid for by Elmer and May Ellingsen."
One of a series of 20 photographs documenting the move of the old Manson's Landing store from its position by the wharf in Mansons Landing Provincial Park to the present Museum site on Beasley Rd. The photographs are from an envelope labelled "Moving Museum, Dec. 1995. Moved by Able Transport. Paid for by Elmer and May Ellingsen."
Found in Information Files folder (Cortes Island Museum & Archives info"), Jan. 2021
Scope and Content
One of a series of 20 photographs documenting the move of the old Manson's Landing store from its position by the wharf in Mansons Landing Provincial Park to the present Museum site on Beasley Rd. The photographs are from an envelope labelled "Moving Museum, Dec. 1995. Moved by Able Transport. Paid for by Elmer and May Ellingsen."
This photograph and the next two photographs in the album show what, in 1985, was left of the house built by Horace Ward when he took up his 1911 pre-emption of 120 acres of the N.1/2 of S.E.1/4 of Section 31. It was cancelled in 1922.
This photograph and the next two photographs in the album show what, in 1985, was left of the house built by Horace Ward when he took up his 1911 pre-emption of 120 acres of the N.1/2 of S.E.1/4 of Section 31. It was cancelled in 1922.
A group photograph taken in front of the white canvas house built by Walter Robertson on Hernando Island. The house was a bare framework covered by heavy Powell River canvas.
L to R, back row: Flossie (Manson) Kenny, Gwen (Manson) Campbell, Ralph Kenny
L to R, row 2: Mrs. Niven, Mrs. Jane Manson, Muriel Hurren
L to R, row 3: Audrey Kenny, Eileen Kenny, and Calvin, Minerva and Lorne Campbell
L to R, seated: Thelma Campbell, Dorothy Manson, Bill Niven and Ralph Kenny Jr.
A group photograph taken in front of the white canvas house built by Walter Robertson on Hernando Island. The house was a bare framework covered by heavy Powell River canvas.
L to R, back row: Flossie (Manson) Kenny, Gwen (Manson) Campbell, Ralph Kenny
L to R, row 2: Mrs. Niven, Mrs. Jane Manson, Muriel Hurren
L to R, row 3: Audrey Kenny, Eileen Kenny, and Calvin, Minerva and Lorne Campbell
L to R, seated: Thelma Campbell, Dorothy Manson, Bill Niven and Ralph Kenny Jr.
Students standing among the bean poles in the Manson's Landing school garden. Miss Lettice's sister (visiting) is in the background by the corner of the school.
Students standing among the bean poles in the Manson's Landing school garden. Miss Lettice's sister (visiting) is in the background by the corner of the school.
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Nine photograph albums (binders) holding 554 photographs with accompanying descriptions.
Custodial History
May Ellingsen put this collection together in the mid 1980s. She collected hundreds of old photographs from 30 donor families which were then copied and catalogued by the Campbell River Museum in 1985, with funding from the Canada Council and Canada Works. (see "Musings", a publication of the CR Museum & Archives Society, Vol. IV #1, March 1985) The Campbell River Museum made negatives and two copies of the photographs; the originals were then returned to the donor families. One copy of each photo was given to May, who arranged them in albums and added her commentary. She continued to add to the albums through the 1990s, adding 72 original photographs and more descriptions. She kept the albums in the library in the Manson's Hall and then in the Cortes Museum when it opened in 1999. The albums were officially donated to CIMAS in 2004.
Scope and Content
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Item level finding aid is available for the 72 original photographs.
Copyright
The Campbell River Archives has negatives for the copied photographs in the Collection and makes prints on request for a charge according to their policy and according to the wishes of the donors. Donor/source cards were filled out by each family donating photographs and include restrictions on use in some cases. They are on file at the Campbell River Archives.
CIMAS holds the copyright on the 72 original photographs in these albums.
