Articles, maps, emails and other written info on Coast Salish clam farming history, terminology, archaeology. Scanned photographs of clam gardens and Indigenous clam farmers, 1900-2005. Scanned photographs from June Cameron of early settlers harvesting and processing clams and fish, 1934-1941. Drawings of clams by Judith Williams. Excerpts from Kwakiutl Texts by Boas and Hunt and Clam Gardens by Judith Williams. Shellfish recipes from various sources. Open letters to Judith Williams and Mr. Harper from Christian Grounau regarding terracing effects of glacial runoffs, 2007 and 2008. Info from a talk Judith Williams gave on clam gardens at the Klahoose Hall, 2008.
Articles, maps, emails and other written info on Coast Salish clam farming history, terminology, archaeology. Scanned photographs of clam gardens and Indigenous clam farmers, 1900-2005. Scanned photographs from June Cameron of early settlers harvesting and processing clams and fish, 1934-1941. Drawings of clams by Judith Williams. Excerpts from Kwakiutl Texts by Boas and Hunt and Clam Gardens by Judith Williams. Shellfish recipes from various sources. Open letters to Judith Williams and Mr. Harper from Christian Grounau regarding terracing effects of glacial runoffs, 2007 and 2008. Info from a talk Judith Williams gave on clam gardens at the Klahoose Hall, 2008.
Emails, photographs, maps, emails and written info on clam gardens relating to the clam garden display; labels from display; several copies of shellfish recipes; memo from Judith William's publishers.
Emails, photographs, maps, emails and written info on clam gardens relating to the clam garden display; labels from display; several copies of shellfish recipes; memo from Judith William's publishers.
Clippings and brochures featuring history of building, formation of the Old Schoolhouse Art Gallery, and artists and exhibits at the gallery, 1973-2018
Clippings and brochures featuring history of building, formation of the Old Schoolhouse Art Gallery, and artists and exhibits at the gallery, 1973-2018
One of a series of 5 photographs taken by a couple from Germany who were visiting Hans Dolezol (also known as Hans Croker), who lived in the Round House on the property of Paula Snow (now 1474 Robertson Rd.) during the late 1970s until his death in 1982.
One of a series of 5 photographs taken by a couple from Germany who were visiting Hans Dolezol (also known as Hans Croker), who lived in the Round House on the property of Paula Snow (now 1474 Robertson Rd.) during the late 1970s until his death in 1982.
Co-operative Fire and Casualty Company info regarding request to insure a property, Mr and Mrs Ellingsen, 1963. Licensing and insurance papers for E. Ellingsen, 1968-1970. Info on residential, recreational, commercial, industrial and investment real estate, "Growing with Vancouver," featuring Bruce Ellingsen, 1974. Excerpts from The Columbia is Coming!, Doris Andersen, 1982. Receipts from Mansons Landing Store for May and Elmer Ellingsen, 1982-1987. Old notebook cover, Elmer Ellingsen, undated. Info on memorials: Elmer Ellingsen, 2002; May Ellingsen, 2012; and Virginia Hazel Ellingsen, 2019. Letter from Etta to CIMAS, 2012. Invoice for art purchased by CIMAS from David Ellingsen, 2017. Info on The Last Stand, D. Ellingsen, 2019. Info on Cortes Connection, 2019. Photo of Dianne Hentschel, Nellie Jeffrey, May Ellingsen, undated.
Co-operative Fire and Casualty Company info regarding request to insure a property, Mr and Mrs Ellingsen, 1963. Licensing and insurance papers for E. Ellingsen, 1968-1970. Info on residential, recreational, commercial, industrial and investment real estate, "Growing with Vancouver," featuring Bruce Ellingsen, 1974. Excerpts from The Columbia is Coming!, Doris Andersen, 1982. Receipts from Mansons Landing Store for May and Elmer Ellingsen, 1982-1987. Old notebook cover, Elmer Ellingsen, undated. Info on memorials: Elmer Ellingsen, 2002; May Ellingsen, 2012; and Virginia Hazel Ellingsen, 2019. Letter from Etta to CIMAS, 2012. Invoice for art purchased by CIMAS from David Ellingsen, 2017. Info on The Last Stand, D. Ellingsen, 2019. Info on Cortes Connection, 2019. Photo of Dianne Hentschel, Nellie Jeffrey, May Ellingsen, undated.
Recording is an oral history interview of May Ellingsen by Oonagh O'Connor. May traces her family history and then talks about her childhood on Cortes and Hernando Islands; meeting and marrying Elmer; living in a float house at logging camps in Loughborough Inlet, Phillips Arm and Von Donop Inlet; and moving the house to Hague Lake in 1952. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of May Ellingsen by Oonagh O'Connor. May traces her family history and then talks about her childhood on Cortes and Hernando Islands; meeting and marrying Elmer; living in a float house at logging camps in Loughborough Inlet, Phillips Arm and Von Donop Inlet; and moving the house to Hague Lake in 1952. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of May Ellingsen by Martha Abelson and Jill Milton. Topics covered include Manson family history; May's reminiscences about her childhood on Cortes; schools.
Recording is an oral history interview of May Ellingsen by Martha Abelson and Jill Milton. Topics covered include Manson family history; May's reminiscences about her childhood on Cortes; schools.
Recording is an oral history interview of May and Elmer Ellingsen by Oonagh O'Connor. Topics covered include how Elmer came to the island and met May; logging experiences; Cortes roads and telephone system; and living at Von Donop Inlet. Several humorous stories are related. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of May and Elmer Ellingsen by Oonagh O'Connor. Topics covered include how Elmer came to the island and met May; logging experiences; Cortes roads and telephone system; and living at Von Donop Inlet. Several humorous stories are related. There is a short summary of the interview, written by May Ellingsen, in the cassette case.