Fonds consists of photographs of the Gorge Harbour Lodge and Lodge activities, the Corneille and Ballantyne families, and Gladys Ballantyne's house, Gypsy Hill.
Bobby (Elizabeth) Corneille Ballantyne (1914-2009) was born in Vancouver and moved to Cortes Island as a young child. She was 4 years old when her father died suddenly on Marina Island in 1919; she remembers that they had to wait 3 days for a Union Steamship to get the body. Her mother Tena (Sarah Christena) Corneille (1877-1949) bought a tourist lodge at the east end of Gorge Harbour in 1929, and ran it until 1936 with the help of her two teen-age daughters. Gorge Harbour Lodge offered accommodations in the main building or in tents, tennis and badminton courts, and excellent boating, bathing and fishing. Vacationers came up from Vancouver on the Union Steamships for a round-trip ticket price of $6.65. The annual Regatta was the main social event of the season, with people arriving by boat from Cortes and the surrounding islands. It featured boat and swimming races, and a dance in the evening.
Gladys Georgeson Ballantyne (1882-1964), first came to Cortes in about 1910. In about 1920 she bought a property in Whaletown (now 640 Whaletown Rd.) that she called "Gypsy Hill". She was one of the original members of the Whaletown Friendly Circle, later the Whaletown Women's Institute. Gladys, her son Bill, daughter Valerie and her fiance were all on Cortes building a summer cottage when the Depression suddenly hit. Their off-island jobs fell through, and they remained at "Gypsy Hill" for the duration.
Bill Ballantyne (1908-1993) was in the Merchant Marine from 1924-1929. When he was unable to find work on ships during the Depression, he took whatever jobs he could find hand-logging and fishing. Bill and Bobby Corneille were married in 1937. They and other young Whaletown residents formed the Gorge Harbour Dramatic Society to help raise funds to build a community hall, and Bill was the work boss of the building crew for the Gorge Hall. In 1941 they moved to Victoria, and after the war settled in Courtenay with their two sons Peter and Ross. In the late 1950s they returned to Whaletown on Cortes Island where they fished for many years on the gulf troller “Viking”. During that time many young “deckhands” spent time aboard during summer vacations. On retirement, Campbell River became their home.
Custodial History
Electronic records were downloaded in 2012 from an internet address provided by Peter Ballantyne. One photograph was scanned from a photograph temporarily loaned by John and De Clarke.
Scope and Content
Fonds consists of photographs of the Gorge Harbour Lodge and Lodge activities, the Corneille and Ballantyne families, and Gladys Ballantyne's house, Gypsy Hill.
Memories of Mansons Landing 2005 – Central Area – Bridge Hill and Smelt Bay Hill
Binder contains interviews, stories and pictures from Mary and Bill Block, Larry Borland, May (Freeman) Ellingsen, Wilf Freeman, the Froud family, Robbie Graham, Bill Guthrie, Gloria Morrisette, Jean (Reford) MacDonald and Beth (Martin) Slater.
It was created as part of the Memories of Manson's Landing Exhibit, curated and mounted by Doreen Thompson.
Memories of Mansons Landing 2005 – Central Area – Bridge Hill and Smelt Bay Hill
Binder contains interviews, stories and pictures from Mary and Bill Block, Larry Borland, May (Freeman) Ellingsen, Wilf Freeman, the Froud family, Robbie Graham, Bill Guthrie, Gloria Morrisette, Jean (Reford) MacDonald and Beth (Martin) Slater.
It was created as part of the Memories of Manson's Landing Exhibit, curated and mounted by Doreen Thompson.
File contains photograph loan agreements with the Campbell River Museum for photographs May Ellingsen was borrowing from Cortes Island settler families for reproduction by the Campbell River Museum.
File contains photograph loan agreements with the Campbell River Museum for photographs May Ellingsen was borrowing from Cortes Island settler families for reproduction by the Campbell River Museum.
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Nine photograph albums (binders) holding 554 photographs with accompanying descriptions.
Custodial History
May Ellingsen put this collection together in the mid 1980s. She collected hundreds of old photographs from 30 donor families which were then copied and catalogued by the Campbell River Museum in 1985, with funding from the Canada Council and Canada Works. (see "Musings", a publication of the CR Museum & Archives Society, Vol. IV #1, March 1985) The Campbell River Museum made negatives and two copies of the photographs; the originals were then returned to the donor families. One copy of each photo was given to May, who arranged them in albums and added her commentary. She continued to add to the albums through the 1990s, adding 72 original photographs and more descriptions. She kept the albums in the library in the Manson's Hall and then in the Cortes Museum when it opened in 1999. The albums were officially donated to CIMAS in 2004.
Scope and Content
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Item level finding aid is available for the 72 original photographs.
Copyright
The Campbell River Archives has negatives for the copied photographs in the Collection and makes prints on request for a charge according to their policy and according to the wishes of the donors. Donor/source cards were filled out by each family donating photographs and include restrictions on use in some cases. They are on file at the Campbell River Archives.
CIMAS holds the copyright on the 72 original photographs in these albums.
File contains May Ellingsen's notes on a project, sponsored by the Campbell River Museum, to find and preserve old photographs of the area. It also contains correspondence from Sue Hetherington on island settlement history.
File contains May Ellingsen's notes on a project, sponsored by the Campbell River Museum, to find and preserve old photographs of the area. It also contains correspondence from Sue Hetherington on island settlement history.
File consists of the Fall 1957 issue of "The Challenge", a publication of the B.C. Diocese of the Anglican Church, containing a photograph of the church of St. John the Baptist in Whaletown taken by Doris Maclean, which was the winner of a picture contest.
File consists of the Fall 1957 issue of "The Challenge", a publication of the B.C. Diocese of the Anglican Church, containing a photograph of the church of St. John the Baptist in Whaletown taken by Doris Maclean, which was the winner of a picture contest.
