Looking out the door of Jim & Jan’s float house; Alan Bent & Gail Johnson’s house (right), Jason & Kathy’s (left) on the east of Carrington Bay in the distance.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Coulter Bay and Carrington Bay areas. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Coulter Bay and Carrington Bay areas. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Passengers getting off a boat at Jim Palmer and Jan Gemmel's float house: Gail Johnson and son Ryan at the bow, Pat Brown with her daughter Fawn, Jan Gemmel at the helm.
Gail lived with Alan Bent in a house on pilings, seen in the background. To the left is Jason & Kathy’s plastic A-frame boat shop; they lived in an old fisherman’s cabin next to it.
Gail lived with Alan Bent in a house on pilings, seen in the background. To the left is Jason & Kathy’s plastic A-frame boat shop; they lived in an old fisherman’s cabin next to it.
“Large numbers of sea birds overwinter in Carrington Lagoon & Bay. Nudibranchs spawn in lagoon as well as chum & coho (Spruce Creek). Herring run into the bay.”
“Large numbers of sea birds overwinter in Carrington Lagoon & Bay. Nudibranchs spawn in lagoon as well as chum & coho (Spruce Creek). Herring run into the bay.”
Binder contains interviews, stories and pictures from Ginny and Bruce Ellingsen, the Lambert family, Dolly (Jeffery) Hansen and Maryann McCoy, with additional historic photographs of Smelt Bay from the early to the late 1900s at the back. It was created as part of the Memories of Manson's Landing Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories and pictures from Ginny and Bruce Ellingsen, the Lambert family, Dolly (Jeffery) Hansen and Maryann McCoy, with additional historic photographs of Smelt Bay from the early to the late 1900s at the back. It was created as part of the Memories of Manson's Landing Exhibit, curated and mounted by Doreen Thompson.