Binder contains interviews, stories and photographs documenting the social history of the Whaletown area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Additional information:
re photo on p 79: "Dell Tooker with Stephen Williams (son of Trefor Williams). The Titus’s were gone by 1960 when the photo was taken. This horse was “Lady” and belonged to Bert Hansen. He kindly loaned her to us sometimes which was so appreciated." (from Tari Tooker Chiasson, 5/2021)
Binder contains interviews, stories and photographs documenting the social history of the Whaletown area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Additional information:
re photo on p 79: "Dell Tooker with Stephen Williams (son of Trefor Williams). The Titus’s were gone by 1960 when the photo was taken. This horse was “Lady” and belonged to Bert Hansen. He kindly loaned her to us sometimes which was so appreciated." (from Tari Tooker Chiasson, 5/2021)
Looking north from Green Mountain over Carrington Lagoon and Carrington Bay (tidal falls in between) across 5 miles of water to Read Island, with a slew of islands to the north.
File consists of two ink sketches of a man fishing by Jay Nixon; a recipe for "Married Woman's Cake"; two pages about the Cortes Island Day Barbeque (1972) with lists of expenses, income from concessions, items purchased and notes for next year; and a 13 verse poem by Mabel Christensen, "Picnic", about the Cortes Island Day picnic listing many of the island attendees (1960).
Donated by Dennis Newsham and Frances Guthrie after Peggy Newsham's death.
Scope and Content
File consists of two ink sketches of a man fishing by Jay Nixon; a recipe for "Married Woman's Cake"; two pages about the Cortes Island Day Barbeque (1972) with lists of expenses, income from concessions, items purchased and notes for next year; and a 13 verse poem by Mabel Christensen, "Picnic", about the Cortes Island Day picnic listing many of the island attendees (1960).
Photograph of the "Rendezvous" in Whaletown Bay. This boat was owned by the Columbia Coast Mission from 1924-1955. It was operated by the Rev. Rollo Boas out of Whaletown from 1944 to 1954 and then briefly by Joe Titus, before being sold to Ed Tooker in 1955. Tooker renamed it the "Tari Jacque" after his two daughters, and used the boat for his work as a fisheries patrolman for the DFO. In 2015 Tooker sold the boat to Robert Critchley, who is the present-day owner (2021).
Photograph of the "Rendezvous" in Whaletown Bay. This boat was owned by the Columbia Coast Mission from 1924-1955. It was operated by the Rev. Rollo Boas out of Whaletown from 1944 to 1954 and then briefly by Joe Titus, before being sold to Ed Tooker in 1955. Tooker renamed it the "Tari Jacque" after his two daughters, and used the boat for his work as a fisheries patrolman for the DFO. In 2015 Tooker sold the boat to Robert Critchley, who is the present-day owner (2021).
“Large numbers of sea birds overwinter in Carrington Lagoon & Bay. Nudibranchs spawn in lagoon as well as chum & coho (Spruce Creek). Herring run into the bay.”
“Large numbers of sea birds overwinter in Carrington Lagoon & Bay. Nudibranchs spawn in lagoon as well as chum & coho (Spruce Creek). Herring run into the bay.”
Photograph of Rev. Rollo Boas and his wife Kay scraping paint from the Columbia Coast Mission boat "Rendezvous" at the Whaletown wharf. Ken Slater's troller "Wahkana Bay" is in the background, two unindentified gas boats are tied to the floats. Of note: clearing for the Huck family home in background indicates the year the photo was taken. There are two captions on the back, in different handwriting (top is Gilean Douglas'.)
Photograph of Rev. Rollo Boas and his wife Kay scraping paint from the Columbia Coast Mission boat "Rendezvous" at the Whaletown wharf. Ken Slater's troller "Wahkana Bay" is in the background, two unindentified gas boats are tied to the floats. Of note: clearing for the Huck family home in background indicates the year the photo was taken. There are two captions on the back, in different handwriting (top is Gilean Douglas'.)
