File contains a photocopy image of the Peter Police homestead at Carrington Lagoon, handwritten stories by Bud Dewar, an article about Ned Breeze, a photocopy of Gary and Velma Bergman at the Whaletown store, and a list of Seaford School.
File contains a photocopy image of the Peter Police homestead at Carrington Lagoon, handwritten stories by Bud Dewar, an article about Ned Breeze, a photocopy of Gary and Velma Bergman at the Whaletown store, and a list of Seaford School.
File contains newspaper clippings about a visit of the Whaletown School class to Vancouver; a "Whaletown Round-Up" column written by Gilean Douglas, 1956; a photocopy of an article about the purchase of Smelt Bay Park, 1973; and a craft store in Whaletown, 1975.
File contains newspaper clippings about a visit of the Whaletown School class to Vancouver; a "Whaletown Round-Up" column written by Gilean Douglas, 1956; a photocopy of an article about the purchase of Smelt Bay Park, 1973; and a craft store in Whaletown, 1975.
From the "Out of the Archives" program: "In this documentary a rag-tag team of Cortes wreckers demolish a giant warehouse in James Bay, Victoria. The remove 100-year old maple flooring, which is bound for Cortes, while the building falls down around them. They have to get the flooring out before the bulldozers arrive! Shot on 16 mm film."
Cast: Pierre deTrey, Stephen Foster, Al Murray, John Wasyliw
From the "Out of the Archives" program: "In this documentary a rag-tag team of Cortes wreckers demolish a giant warehouse in James Bay, Victoria. The remove 100-year old maple flooring, which is bound for Cortes, while the building falls down around them. They have to get the flooring out before the bulldozers arrive! Shot on 16 mm film."
Cast: Pierre deTrey, Stephen Foster, Al Murray, John Wasyliw
From the "Out of the Archives" program: "A play on the work "divot" - "a piece of turf cut out of the ground by a golf club in making a stroke." The golfer who does this, according to George, is a "divotee" and this silly game needed a large dose of extra silliness doused on it. The attempt to just shoot one hole takes George and his caddy more on a cross-country steeplechase that a casual day on the course. Puns abound and the Voice of Doom, played by John Gregg, gets it in the end Watch for it! Shot at Gorge Harbour on 16mm."
Cast: Jon Gregg, Leon, George and a horse
Stagehand/Props: Jim Palmer
Cinematography: John Gregg
From the "Out of the Archives" program: "A play on the work "divot" - "a piece of turf cut out of the ground by a golf club in making a stroke." The golfer who does this, according to George, is a "divotee" and this silly game needed a large dose of extra silliness doused on it. The attempt to just shoot one hole takes George and his caddy more on a cross-country steeplechase that a casual day on the course. Puns abound and the Voice of Doom, played by John Gregg, gets it in the end Watch for it! Shot at Gorge Harbour on 16mm."
Cast: Jon Gregg, Leon, George and a horse
Stagehand/Props: Jim Palmer
Cinematography: John Gregg
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
From the "Out of the Archives" program: "When Linnaea was established, Robert Cabot commissioned Cortes Cinema to produce a film abot the Turtle Island Land Steward Society. The day-to-day life of the farm is documented as is the Hansen's move across the road to their new property. Ken, Hazel and Flo (Hazel's mom) are all in the film helping to clear land on yet another farm! Using Bear Air (Barry Miles), aerial footage of the farm and the island is also in the film. A gliimpse into the past. With sound and narration. On 16mm.
Music: Glen Dias / Narration: Peter Gibson
Cast: Thousands of cows!"
From the "Out of the Archives" program: "When Linnaea was established, Robert Cabot commissioned Cortes Cinema to produce a film abot the Turtle Island Land Steward Society. The day-to-day life of the farm is documented as is the Hansen's move across the road to their new property. Ken, Hazel and Flo (Hazel's mom) are all in the film helping to clear land on yet another farm! Using Bear Air (Barry Miles), aerial footage of the farm and the island is also in the film. A gliimpse into the past. With sound and narration. On 16mm.
Music: Glen Dias / Narration: Peter Gibson
Cast: Thousands of cows!"
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
1 moving image : 13 minutes ; with background music
Scope and Content
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
From the "Out of the Archives" program: "First film shot on Super 8. The antics of some Gorge Harbout residents are madly depicted as the fruitlessly try to repair a flat tire at the Gorge Government dock. They are rescurd by none other than Yendor."
Cast: Gloria Jorg, Alex Nichols, Isolder Ruthenberg, Garth Walton and Yendor
Cinematography: George Sirk
From the "Out of the Archives" program: "First film shot on Super 8. The antics of some Gorge Harbout residents are madly depicted as the fruitlessly try to repair a flat tire at the Gorge Government dock. They are rescurd by none other than Yendor."
Cast: Gloria Jorg, Alex Nichols, Isolder Ruthenberg, Garth Walton and Yendor
Cinematography: George Sirk
File contains title information and photocopies of land grants and subsequent conveyances for the following:
John Williams: 1914, Crown Grant for the fractional SW 1/4 of Sec 22 and fractional NW 1/4 of Sec 22 (east of Gorge Harbour entrance)
John Williams: 1914, Crown Grant for the fractional SW 1/4 of Sec 22 and frac. NW 1/4 of Sec 18 (west of the Gorge Harbour entrance)
File contains three oversize maps which are stored in the map cabinet: Map of Section 22, Plan VIP52378, Lots A,B,C (blueprint map; 85 cm x 54 cm, 1985); map of Plan 27966 (blueprint map; 55 cm x 43 cm, 1974); photocopy of map of fractional NW 1/4 Sec 17 (55 cm x 43 cm, 1973)
(Files 3 through 7 are from the same envelope.)
File contains title information and photocopies of land grants and subsequent conveyances for the following:
John Williams: 1914, Crown Grant for the fractional SW 1/4 of Sec 22 and fractional NW 1/4 of Sec 22 (east of Gorge Harbour entrance)
John Williams: 1914, Crown Grant for the fractional SW 1/4 of Sec 22 and frac. NW 1/4 of Sec 18 (west of the Gorge Harbour entrance)
File contains three oversize maps which are stored in the map cabinet: Map of Section 22, Plan VIP52378, Lots A,B,C (blueprint map; 85 cm x 54 cm, 1985); map of Plan 27966 (blueprint map; 55 cm x 43 cm, 1974); photocopy of map of fractional NW 1/4 Sec 17 (55 cm x 43 cm, 1973)
(Files 3 through 7 are from the same envelope.)
File contains a photocopy of Crown Grant and documentation of subsequent changes in title for:
William Barrett Lennard: 1928, Crown Grant for the SE and SW 1/4s of Section 23 (on the SE shore of Gorge Harbour)
(Files 3 through 7 are from the same envelope.)
File contains a photocopy of Crown Grant and documentation of subsequent changes in title for:
William Barrett Lennard: 1928, Crown Grant for the SE and SW 1/4s of Section 23 (on the SE shore of Gorge Harbour)
(Files 3 through 7 are from the same envelope.)
File contains a photocopy of Crown Grant and documentation of subsequent changes in title for:
Eliza Breeze: 1920, Crown Grant for Fractional NW 1/4 of Section 18 (east of the entrance to Gorge Harbour)
(Files 3 through 7 are from the same envelope.)
File contains a photocopy of Crown Grant and documentation of subsequent changes in title for:
Eliza Breeze: 1920, Crown Grant for Fractional NW 1/4 of Section 18 (east of the entrance to Gorge Harbour)
(Files 3 through 7 are from the same envelope.)
File contains a section map showing properties southeast of Gorge Harbour and title information on the property, later owned by Gilean Douglas, and known as Channel Rock.
To John Pool: 1930, Crown Grant of the W 1/2 of the SE 1/4 of Sec. 21 and fractional SW 1/4 of Sec. 21 and Crown Grant fo the fractional E 1/2 of fractional SE 1/4 of Sec. 21
File contains a section map showing properties southeast of Gorge Harbour and title information on the property, later owned by Gilean Douglas, and known as Channel Rock.
To John Pool: 1930, Crown Grant of the W 1/2 of the SE 1/4 of Sec. 21 and fractional SW 1/4 of Sec. 21 and Crown Grant fo the fractional E 1/2 of fractional SE 1/4 of Sec. 21
