Photograph of the original store at Refuge Cove, taken from the head of the ramp by Norman and Doris Hope's house. To the right of the store is a fuel tank and a shed used for storing the tools needed for the tanks, drums of oil, etc. The store burned down in 1968.
Photograph of the original store at Refuge Cove, taken from the head of the ramp by Norman and Doris Hope's house. To the right of the store is a fuel tank and a shed used for storing the tools needed for the tanks, drums of oil, etc. The store burned down in 1968.
Students standing among the bean poles in the Manson's Landing school garden. Miss Lettice's sister (visiting) is in the background by the corner of the school.
Students standing among the bean poles in the Manson's Landing school garden. Miss Lettice's sister (visiting) is in the background by the corner of the school.
Photograph of a couple standing in a garden. The man is holding a scythe, and behind them is a rail fence, a field, and a logged hillside. Possibly Folgams at Manson's Landing? (Needs ID)
Photograph of a couple standing in a garden. The man is holding a scythe, and behind them is a rail fence, a field, and a logged hillside. Possibly Folgams at Manson's Landing? (Needs ID)
Binder contains interviews, stories, clippings and photographs documenting the social history of the Green Valley/Bluejay Lake area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Green Valley/Bluejay Lake area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Coulter Bay and Carrington Bay areas. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Coulter Bay and Carrington Bay areas. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.