File contains postcards showing views of Whaletown.
#1: Photograph of St. John the Baptist Church, b&w, 1952; 1 copy
#2: Photograph of a Union Steamship at the Whaletown wharf; b&w; 1952; 1 copy
#3: Aerial photograph of the Salt Lagoon; b&w; likely 1952; 1 copy
#4: A drawing of the wharf and buildings of Whaletown, from the water; b&w, [195-]; 4 copies Verso says "Sketch by Canadian Artist, Mrs. R. A. Borland". Mrs. Borland was the sister of Mary Weiler, and lived in Manson's Landing.
#5: Church of St. John the Baptist; colour; 1952; 2 copies. Printed by George Frost, owner of the Whaletown General Store. See #2013.001.006
#6: The Whaletown Trading Post; colour; 2 copies. Printed by George Frost, owner of the Whaletown General Store. See #2013.001.005
File contains postcards showing views of Whaletown.
#1: Photograph of St. John the Baptist Church, b&w, 1952; 1 copy
#2: Photograph of a Union Steamship at the Whaletown wharf; b&w; 1952; 1 copy
#3: Aerial photograph of the Salt Lagoon; b&w; likely 1952; 1 copy
#4: A drawing of the wharf and buildings of Whaletown, from the water; b&w, [195-]; 4 copies Verso says "Sketch by Canadian Artist, Mrs. R. A. Borland". Mrs. Borland was the sister of Mary Weiler, and lived in Manson's Landing.
#5: Church of St. John the Baptist; colour; 1952; 2 copies. Printed by George Frost, owner of the Whaletown General Store. See #2013.001.006
#6: The Whaletown Trading Post; colour; 2 copies. Printed by George Frost, owner of the Whaletown General Store. See #2013.001.005
File contains a self-published booklet containing illustrations and notes about Whaletown, "a collection of facts, poems, short stories and drawings to enhance your visit."
File contains a self-published booklet containing illustrations and notes about Whaletown, "a collection of facts, poems, short stories and drawings to enhance your visit."
File consists of master pages of a fund-raising cookbook produced by the Whaletown Women's Institute. Typed recipes are pasted onto construction paper sheets; sheets are crumbling.
Complete copies of the cookbook may be found in the Whaletown Women's Institute fonds and the Island Women's Club fonds.
File consists of master pages of a fund-raising cookbook produced by the Whaletown Women's Institute. Typed recipes are pasted onto construction paper sheets; sheets are crumbling.
Complete copies of the cookbook may be found in the Whaletown Women's Institute fonds and the Island Women's Club fonds.
Binder contains interviews, stories and photographs documenting the social history of the Whaletown area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Additional information:
re photo on p 79: "Dell Tooker with Stephen Williams (son of Trefor Williams). The Titus’s were gone by 1960 when the photo was taken. This horse was “Lady” and belonged to Bert Hansen. He kindly loaned her to us sometimes which was so appreciated." (from Tari Tooker Chiasson, 5/2021)
Binder contains interviews, stories and photographs documenting the social history of the Whaletown area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Additional information:
re photo on p 79: "Dell Tooker with Stephen Williams (son of Trefor Williams). The Titus’s were gone by 1960 when the photo was taken. This horse was “Lady” and belonged to Bert Hansen. He kindly loaned her to us sometimes which was so appreciated." (from Tari Tooker Chiasson, 5/2021)
Binder contains interviews, stories and photographs documenting the social history of the Whaletown area from 1907-1930. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories and photographs documenting the social history of the Whaletown area from 1907-1930. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories and photographs documenting the social history of the Whaletown area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories and photographs documenting the social history of the Whaletown area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Green Valley/Bluejay Lake area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Green Valley/Bluejay Lake area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Coulter Bay and Carrington Bay areas. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Coulter Bay and Carrington Bay areas. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
John Manson in front of black seal shape on surface of rock. The back of the photograph has a typed explanation of the legend of the Seal Boy, as follows:
"According to Indian legend, an Indian boy who persisted in going in swimming in spite of his mother's repeated warnings, was turned into a seal visible here as the black rock formation I am looking at. Summer, 1946."
"Ankity tillicum wawa, Ikt wake kloosh Sliamin tenasman quansum tickie klatawa cupa chuck. Yaka mama wawa, 'Klush halo!' Tenasman delate sahalie tumtum, halo iskum okok wawa. Wight wawa yaka mama, 'Spose halo kopate kloness elkie mica clap hias cull.' Pe nawitka yaka chaco delate klahowyum, chako kohkwa Siwash cusho mitlite cupa okok klale tone. Nika nanitch alta. Waum Illahee, 1946."
John Manson in front of black seal shape on surface of rock. The back of the photograph has a typed explanation of the legend of the Seal Boy, as follows:
"According to Indian legend, an Indian boy who persisted in going in swimming in spite of his mother's repeated warnings, was turned into a seal visible here as the black rock formation I am looking at. Summer, 1946."
"Ankity tillicum wawa, Ikt wake kloosh Sliamin tenasman quansum tickie klatawa cupa chuck. Yaka mama wawa, 'Klush halo!' Tenasman delate sahalie tumtum, halo iskum okok wawa. Wight wawa yaka mama, 'Spose halo kopate kloness elkie mica clap hias cull.' Pe nawitka yaka chaco delate klahowyum, chako kohkwa Siwash cusho mitlite cupa okok klale tone. Nika nanitch alta. Waum Illahee, 1946."
Mark Appleyard makes an oar as Emily looks on. Wendy Knudsen, Mark & Emily lived aboard the sailboat Cytherea. Zuk’s boat Devotion in background (Whaletown dock)