This recording was made at a party at John and Joanne Wasyliw's property, formerly part of the John Manson farm. It includes recollections of Rose (Manson) McKay, and a sing-along interspersed with conversation.
This recording was made at a party at John and Joanne Wasyliw's property, formerly part of the John Manson farm. It includes recollections of Rose (Manson) McKay, and a sing-along interspersed with conversation.
Excerpt from Seven-Knot Summers by Beth Hills about Channel Rock, 1994; email from Bonnie MacDonald re Pamela Millar's proposed documentary about Channel Rock, 1999; Channel Rock listing on tideline, 2015; email about property listing, 2015; Channel Rock Village map, undated ; letter from Pinchot & Company, new owner of Gilean Douglas property
Excerpt from Seven-Knot Summers by Beth Hills about Channel Rock, 1994; email from Bonnie MacDonald re Pamela Millar's proposed documentary about Channel Rock, 1999; Channel Rock listing on tideline, 2015; email about property listing, 2015; Channel Rock Village map, undated ; letter from Pinchot & Company, new owner of Gilean Douglas property
Articles, maps, emails and other written info on Coast Salish clam farming history, terminology, archaeology. Scanned photographs of clam gardens and Indigenous clam farmers, 1900-2005. Scanned photographs from June Cameron of early settlers harvesting and processing clams and fish, 1934-1941. Drawings of clams by Judith Williams. Excerpts from Kwakiutl Texts by Boas and Hunt and Clam Gardens by Judith Williams. Shellfish recipes from various sources. Open letters to Judith Williams and Mr. Harper from Christian Grounau regarding terracing effects of glacial runoffs, 2007 and 2008. Info from a talk Judith Williams gave on clam gardens at the Klahoose Hall, 2008.
Articles, maps, emails and other written info on Coast Salish clam farming history, terminology, archaeology. Scanned photographs of clam gardens and Indigenous clam farmers, 1900-2005. Scanned photographs from June Cameron of early settlers harvesting and processing clams and fish, 1934-1941. Drawings of clams by Judith Williams. Excerpts from Kwakiutl Texts by Boas and Hunt and Clam Gardens by Judith Williams. Shellfish recipes from various sources. Open letters to Judith Williams and Mr. Harper from Christian Grounau regarding terracing effects of glacial runoffs, 2007 and 2008. Info from a talk Judith Williams gave on clam gardens at the Klahoose Hall, 2008.
Emails, photographs, maps, emails and written info on clam gardens relating to the clam garden display; labels from display; several copies of shellfish recipes; memo from Judith William's publishers.
Emails, photographs, maps, emails and written info on clam gardens relating to the clam garden display; labels from display; several copies of shellfish recipes; memo from Judith William's publishers.
Photocopies of the "Cortez Island Food Co-op" Newsletters from the mid-70s. Brochure, feedback form for the Cortes Natural Food Co-op, undated (recent).
Photocopies of the "Cortez Island Food Co-op" Newsletters from the mid-70s. Brochure, feedback form for the Cortes Natural Food Co-op, undated (recent).
CD of music: The Gig that Never Was (old standards recorded at the home of Gordie Carr ca. 1988 with Art Monk on saxophone and clarinet, Gordie Carr on piano; George Lake added his part at his home in Edmonton, Alta. in 2001); and a waltz medley by the Old Timers (Gordie Carr, piano; Elmer Ellingsen, accordion; Art Monk, alto saxophone; Dave Blinzinger, baritone or bass saxophone, Peter Gregg, drums).
CD of music: The Gig that Never Was (old standards recorded at the home of Gordie Carr ca. 1988 with Art Monk on saxophone and clarinet, Gordie Carr on piano; George Lake added his part at his home in Edmonton, Alta. in 2001); and a waltz medley by the Old Timers (Gordie Carr, piano; Elmer Ellingsen, accordion; Art Monk, alto saxophone; Dave Blinzinger, baritone or bass saxophone, Peter Gregg, drums).
Clippings and brochures featuring history of building, formation of the Old Schoolhouse Art Gallery, and artists and exhibits at the gallery, 1973-2018
Clippings and brochures featuring history of building, formation of the Old Schoolhouse Art Gallery, and artists and exhibits at the gallery, 1973-2018
Sub-series consists of typed copies of the "Whaletown Round-up", Douglas's column about social and community events on Cortes Island (primarily focused on the Whaletown area) which was published in the Campbell River Courier.
Sub-series consists of typed copies of the "Whaletown Round-up", Douglas's column about social and community events on Cortes Island (primarily focused on the Whaletown area) which was published in the Campbell River Courier.
