Photograph of Dick Flanders and his grandchild Louise at Mamalilliculla on Village Island. The paw of a carved bear on the totem is almost touching his head; there is another totem to the right, and a house in the bacground. See also #1999.001.0976.
Photograph of Dick Flanders and his grandchild Louise at Mamalilliculla on Village Island. The paw of a carved bear on the totem is almost touching his head; there is another totem to the right, and a house in the bacground. See also #1999.001.0976.
Photograph of Dick Flanders and his grandchild Louise at Mamalillaculla, Village Island. They are standing beside a carved totem pole which is supporting cross beams.
Photograph of Dick Flanders and his grandchild Louise at Mamalillaculla, Village Island. They are standing beside a carved totem pole which is supporting cross beams.
Two men standing beside a car in the valley at Knight Inlet. Logging camp buildings may be seen in the background. This is a near-duplicate of 1999.001.1053.
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
2 photograph prints: b&w ; 18 x 12 cm & 21.5 x 16.5
Scope and Content
Two men standing beside a car in the valley at Knight Inlet. Logging camp buildings may be seen in the background. This is a near-duplicate of 1999.001.1053.
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph of two men dressed in suits, standing beside a car in the valley at Knight Inlet. Buildings of the logging camp may be seen in the background.
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
2 photograph prints: b&w ; 15 x 10 cm & 21.5 x 16.5 cm
Scope and Content
Photograph of two men dressed in suits, standing beside a car in the valley at Knight Inlet. Buildings of the logging camp may be seen in the background.
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
Photograph of a man standing a bulldozer and logging trucks, Knight Inlet. Captioned by Douglas:"The Dot Company's modern machinery must make grizzlies feel quite prehistoric."
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
Photograph of a man standing a bulldozer and logging trucks, Knight Inlet. Captioned by Douglas:"The Dot Company's modern machinery must make grizzlies feel quite prehistoric."
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
Photograph of Rev. John Antle (center) and the crew of the first "Columbia". (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
Photograph of Rev. John Antle (center) and the crew of the first "Columbia". (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
