This shows the Campbell River Lumber Co. logging camp buildings and long pier for dumping logs at Stag Bay, Hernando Island. In the foreground are buildings for family men, in the mid-distance are the homes of the Japanese families, and farthest, the cookhouse and camp buildings.
This shows the Campbell River Lumber Co. logging camp buildings and long pier for dumping logs at Stag Bay, Hernando Island. In the foreground are buildings for family men, in the mid-distance are the homes of the Japanese families, and farthest, the cookhouse and camp buildings.
Cow and chickens among the vacant logging camp buildings left after Campbell River Lumber Company logging ended at Stag Bay. Part of the pier can be seen in the background. The building on the right had been part of Japanese family quarters.
Cow and chickens among the vacant logging camp buildings left after Campbell River Lumber Company logging ended at Stag Bay. Part of the pier can be seen in the background. The building on the right had been part of Japanese family quarters.
Ruth Clark and Jean Robinson (nieces of Margaret Trenanan) and Wilfred Manson seated in an old car, with Jean Manson sitting on the running board. The former cookhouse of the Stag Bay, Hernando Island logging camp is in the right background. To the left are the storage shed, former camp manager's home and commissary building, part of which has been made into a garage for the car.
Jean Robinson was born in the Yukon in the house that Robert Service lived in when he wrote "The Trail of '98".
Ruth Clark and Jean Robinson (nieces of Margaret Trenanan) and Wilfred Manson seated in an old car, with Jean Manson sitting on the running board. The former cookhouse of the Stag Bay, Hernando Island logging camp is in the right background. To the left are the storage shed, former camp manager's home and commissary building, part of which has been made into a garage for the car.
Jean Robinson was born in the Yukon in the house that Robert Service lived in when he wrote "The Trail of '98".
Photograph of a row of floathouses in a coastal floating logging camp, probably in or near Seymour Inlet. There is a boat tied to the walkway that fronts the buildings. There is a pile of large fir rounds for firewood in front of one house; the house on the end has a container garden with flowers on the float in front.
Photograph of a row of floathouses in a coastal floating logging camp, probably in or near Seymour Inlet. There is a boat tied to the walkway that fronts the buildings. There is a pile of large fir rounds for firewood in front of one house; the house on the end has a container garden with flowers on the float in front.
Photograph has a caption by Gilean Douglas: "Rendezvous Patrol. The good ship noses into a floating logging camp, where patients are waiting to be taken to the medical, dental clinic held at Whaletown in the mission house."
Photograph has a caption by Gilean Douglas: "Rendezvous Patrol. The good ship noses into a floating logging camp, where patients are waiting to be taken to the medical, dental clinic held at Whaletown in the mission house."
Photograph of a row of buildings on floats. From Left there is a building under construction; a roofed-over area for storing a boat; a white floathouse with container gardens in front;several more houses and a float with a large fuel drum.
Photograph of a row of buildings on floats. From Left there is a building under construction; a roofed-over area for storing a boat; a white floathouse with container gardens in front;several more houses and a float with a large fuel drum.
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
