Clippings with info on floathouses, the hermit of Von Donop Channel, the landslide at Spences Bridge, Von Donop Marine Park, Klahoose First Nation, and Doreen Thompson, 1920-2017, and clippings from WNE, 1987-1989. Transcript with info on the Ellingsens in Von Donop Creek, 1946-1950, from interview with May, Elmer, Andy, and Bruce Ellginsen, 2001. Info on logging in Von Donop Creek, 1920s-1960, from a logging meeting in 2001. Info from Von Donop Creek Research and Display for CIMAS, 2001. An envelope with info from Bev Mathews, donated in 2013.
Clippings with info on floathouses, the hermit of Von Donop Channel, the landslide at Spences Bridge, Von Donop Marine Park, Klahoose First Nation, and Doreen Thompson, 1920-2017, and clippings from WNE, 1987-1989. Transcript with info on the Ellingsens in Von Donop Creek, 1946-1950, from interview with May, Elmer, Andy, and Bruce Ellginsen, 2001. Info on logging in Von Donop Creek, 1920s-1960, from a logging meeting in 2001. Info from Von Donop Creek Research and Display for CIMAS, 2001. An envelope with info from Bev Mathews, donated in 2013.
Series consists of correspondence from Theodore Von Donop to Jimmy Layton and information, photographs and ephemera relating to Victor Von Donop, after whom Von Donop Inlet was named. The two photographs that were part of this material (2003.002.393-Portrait of Victor Von Donop and 2003.002.394-Coat of arms of Von Donop family) are described in Series 1 and stored in the Photographs box with the other photographs in the Weiler fonds.)
Material was collected by Jimmy Layton, who had a homestead at the head of Von Donop Inlet; he gave it to Otto Weiler.
Scope and Content
Series consists of correspondence from Theodore Von Donop to Jimmy Layton and information, photographs and ephemera relating to Victor Von Donop, after whom Von Donop Inlet was named. The two photographs that were part of this material (2003.002.393-Portrait of Victor Von Donop and 2003.002.394-Coat of arms of Von Donop family) are described in Series 1 and stored in the Photographs box with the other photographs in the Weiler fonds.)
Slide of bunkhouse under tow. Note houses in the background. L to R: the "Grey house", Byers house, McKenzie house. Behind: Jimmy Hill's house with Abercrombie house to the right.
Slide of bunkhouse under tow. Note houses in the background. L to R: the "Grey house", Byers house, McKenzie house. Behind: Jimmy Hill's house with Abercrombie house to the right.
Emails, posts in tideline, brainstorming ideas and notes for the Big Tree exhibit; posts about the medicinal and endangered agarikon mushroom and Paul Stamets; receipts and donations related to the exhibit; Big Tree postcards; contest tickets; exhibit activity book. Historical context for oldgrowth, Douglas Fir, and logging: scans from Whaletown album, 1922-1930; article on tree diseases in Forest and Mill, 1948; article about Douglas Fir in Maclean's Magazine, 1958
Emails, posts in tideline, brainstorming ideas and notes for the Big Tree exhibit; posts about the medicinal and endangered agarikon mushroom and Paul Stamets; receipts and donations related to the exhibit; Big Tree postcards; contest tickets; exhibit activity book. Historical context for oldgrowth, Douglas Fir, and logging: scans from Whaletown album, 1922-1930; article on tree diseases in Forest and Mill, 1948; article about Douglas Fir in Maclean's Magazine, 1958
Newspaper clippings and articles re: Bute Inlet hydro project; Plutonic Power; run-of-river projects; Friends of Bute; Bute history; exhibition; But Inlet boat tour. Emails re: art; grants; curation of exhibit; critique of Rob Wood and CIMAS by Klahoose member Ken Hanuse; request for Open Meadows Project song performance by Klahoose member Brenda Hansen; display cabinets; exhibit fees. Review of exhibit by Marcel Creurer; project proposal sent to the Vancouver Foundation; handwritten notes by Lynne Jordan and Judy WIlliams; invoices; records of financial contributions; promotional material; photographs
Newspaper clippings and articles re: Bute Inlet hydro project; Plutonic Power; run-of-river projects; Friends of Bute; Bute history; exhibition; But Inlet boat tour. Emails re: art; grants; curation of exhibit; critique of Rob Wood and CIMAS by Klahoose member Ken Hanuse; request for Open Meadows Project song performance by Klahoose member Brenda Hansen; display cabinets; exhibit fees. Review of exhibit by Marcel Creurer; project proposal sent to the Vancouver Foundation; handwritten notes by Lynne Jordan and Judy WIlliams; invoices; records of financial contributions; promotional material; photographs
