Recording consists of interviews with Fred Reedel and Frank Tooker, done to gather information for the "Windows on Whaletown" exhibit. (see also 1999.004.034, for Part 2)
Recording consists of interviews with Fred Reedel and Frank Tooker, done to gather information for the "Windows on Whaletown" exhibit. (see also 1999.004.034, for Part 2)
Recording is an oral history interview of Duncan Robertson by Oonagh O'Connor (Part 2 of 2). Topics covered include Dunc's children Ann (Dewar) and Lynn (Summers); oysters; the Whaletown store; early telephone system; mining; the Robertson family; the ferry; changes in wildlife population he has observe over the years; and logging practices. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Duncan Robertson by Oonagh O'Connor (Part 2 of 2). Topics covered include Dunc's children Ann (Dewar) and Lynn (Summers); oysters; the Whaletown store; early telephone system; mining; the Robertson family; the ferry; changes in wildlife population he has observe over the years; and logging practices. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Dorothea Carter, daughter of Alan and Dorothy Robertson, by Oonagh O'Connor. She tells about her grandparents settling at "Burnside" in Whaletown in the late 1800s; some family history; and incidents from her life. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Dorothea Carter, daughter of Alan and Dorothy Robertson, by Oonagh O'Connor. She tells about her grandparents settling at "Burnside" in Whaletown in the late 1800s; some family history; and incidents from her life. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Lottie McDevitt by Oonagh O'Connor. Topics covered include moving to Cortes in 1945 with her husband Don, the Manson's Landing school teacher (later teaching at Squirrel Cove, Whaletown and Ramsay Arm); life on the island; and island friends. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Lottie McDevitt by Oonagh O'Connor. Topics covered include moving to Cortes in 1945 with her husband Don, the Manson's Landing school teacher (later teaching at Squirrel Cove, Whaletown and Ramsay Arm); life on the island; and island friends. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Nesta Stackhouse by Oonagh O'Connor. Topics covered include Nesta moving to Cortes to help the Boas at the Columbia Coast Mission post in Whaletown; the clinic in Whaletown; names of people living in the Carrington Bay/Coulter Bay area; involvement in local politics. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Nesta Stackhouse by Oonagh O'Connor. Topics covered include Nesta moving to Cortes to help the Boas at the Columbia Coast Mission post in Whaletown; the clinic in Whaletown; names of people living in the Carrington Bay/Coulter Bay area; involvement in local politics. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Duncan Robertson by Oonagh O'Connor at his home in Whaletown (Part 1 of 2). Topics covered include some family history; people and customs of the early days on the island; logging; fishing; hunting; cougars; Cortes in the 1950s and 1960s. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Duncan Robertson by Oonagh O'Connor at his home in Whaletown (Part 1 of 2). Topics covered include some family history; people and customs of the early days on the island; logging; fishing; hunting; cougars; Cortes in the 1950s and 1960s. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Meg Robertson, Margaret Middleton,and Dorothy Huck, all wearing bathing suits and caps in the lagoon beside the Robertson's home at Burnside in Whaletown. Rankin Robertson's feet are sticking up out of the water at the right.
Meg Robertson, Margaret Middleton,and Dorothy Huck, all wearing bathing suits and caps in the lagoon beside the Robertson's home at Burnside in Whaletown. Rankin Robertson's feet are sticking up out of the water at the right.
Photograph of two pigs in a pen with picket and rail fencing; a woman is leaning on the far line of fence and a boy is in the right foreground. A shed and fruit trees, and a forested hill, can be seen in the background. Photo is probably at Burnside.
Photograph of two pigs in a pen with picket and rail fencing; a woman is leaning on the far line of fence and a boy is in the right foreground. A shed and fruit trees, and a forested hill, can be seen in the background. Photo is probably at Burnside.
Photograph is an overview of Whaletown and Whaletown Bay, showing the dock and freight shed and the houses across the bay near the current site of the ferry dock.
Photograph is an overview of Whaletown and Whaletown Bay, showing the dock and freight shed and the houses across the bay near the current site of the ferry dock.
Photograph of the Church Hall in Whaletown, which stood in front of the old cemetery at the corner of Carrington Bay and Harbour roads. It served the community as both church and a venue for social events for almost forty years. The original Whaletown school became its kitchen, and a sleeping place for tired children.
Photograph of the Church Hall in Whaletown, which stood in front of the old cemetery at the corner of Carrington Bay and Harbour roads. It served the community as both church and a venue for social events for almost forty years. The original Whaletown school became its kitchen, and a sleeping place for tired children.
Photograph of Billy Tait standing on the dock in Whaletown. The channel marker and houses near the present-day ferry dock can be seen in the background.
Photograph of Billy Tait standing on the dock in Whaletown. The channel marker and houses near the present-day ferry dock can be seen in the background.
