Photograph of Margaret Robertson, Margaret Middleton, Anna Manson, Duncan Robertson and Allen Robertson in the field at Burnside, the home of David and Alice Robertson in Whaletown.
Photograph of Margaret Robertson, Margaret Middleton, Anna Manson, Duncan Robertson and Allen Robertson in the field at Burnside, the home of David and Alice Robertson in Whaletown.
This series contains early film works of George Sirk, shot on 16mm and Super 8 film and digitized by Doug McCaffry, of ScanLab, in 2022. Films include Cortes Island short films, two feature documentaries, and two longer films shot in Australia. They were shown at a film festival presented by Cortes Cinema and the Cortes Island Museum on July 17, 2022: "Out of the Archives: The Early Film works of George Sirk".
From the program notes: "George's films showcase a snapshot - in moving pictures - of some madcap antics, dramatization, and documentaries of life on Cortes during that period [1975-1981] and were inspired by the great humourists of silent film; Chaplin, Keaton and Jacques Tati (Monsieur Hulot), and likewise delight in stitching reality. Mostly shot in sequentially edited (in the camera, like the great film makers mentioned), rehearsals were key to smooth transitions and conserved valuable film stock."
This series contains early film works of George Sirk, shot on 16mm and Super 8 film and digitized by Doug McCaffry, of ScanLab, in 2022. Films include Cortes Island short films, two feature documentaries, and two longer films shot in Australia. They were shown at a film festival presented by Cortes Cinema and the Cortes Island Museum on July 17, 2022: "Out of the Archives: The Early Film works of George Sirk".
From the program notes: "George's films showcase a snapshot - in moving pictures - of some madcap antics, dramatization, and documentaries of life on Cortes during that period [1975-1981] and were inspired by the great humourists of silent film; Chaplin, Keaton and Jacques Tati (Monsieur Hulot), and likewise delight in stitching reality. Mostly shot in sequentially edited (in the camera, like the great film makers mentioned), rehearsals were key to smooth transitions and conserved valuable film stock."
Photograph of a group people in front of the home of Charles and Jenny Allen in Gorge Harbour (site of the present-day Gorge Harbour Marina).
L to R, front: Mrs C. Allen with adopted daughter Elsie on her lap, orphan boy behind her, Mrs. John Manson ("Auntie Maggie")
Above: Florence Manson, Mrs. Mike Manson, Gwen Robertson; Flossie Manson above Mrs. M. Manson.
Photograph of a group people in front of the home of Charles and Jenny Allen in Gorge Harbour (site of the present-day Gorge Harbour Marina).
L to R, front: Mrs C. Allen with adopted daughter Elsie on her lap, orphan boy behind her, Mrs. John Manson ("Auntie Maggie")
Above: Florence Manson, Mrs. Mike Manson, Gwen Robertson; Flossie Manson above Mrs. M. Manson.
Photograph of Mrs. Charles (Jenny) Allen, her father, her adopted daughter Elsie (born 1903), and an orphan boy who was returned to the orphanage, on the porch of their house in Gorge Harbour. The house stood where the Floathouse Restaurant at the Gorge Harbour Marina is today (2013).
Photograph of Mrs. Charles (Jenny) Allen, her father, her adopted daughter Elsie (born 1903), and an orphan boy who was returned to the orphanage, on the porch of their house in Gorge Harbour. The house stood where the Floathouse Restaurant at the Gorge Harbour Marina is today (2013).