File consists of a small leather-bound account book for the Whaletown Church Hall Building Fund, kept by Bernie Allen and certified correct by John Pool.
File consists of a small leather-bound account book for the Whaletown Church Hall Building Fund, kept by Bernie Allen and certified correct by John Pool.
Photograph of two men on floats made of logs chained together, with the buildings, tanks and other paraphernalia of a logging camp on the floats. Location is Seymour Inlet.
Photograph of two men on floats made of logs chained together, with the buildings, tanks and other paraphernalia of a logging camp on the floats. Location is Seymour Inlet.
Photograph originally labelled "Canon Alan Greene (R) at Whaletownon Cortez Island. With him is the Rev Douglas Kendall". The photograph was taken at the dedication of St. John the Baptist Church in Whaletown.
Photograph originally labelled "Canon Alan Greene (R) at Whaletownon Cortez Island. With him is the Rev Douglas Kendall". The photograph was taken at the dedication of St. John the Baptist Church in Whaletown.
Photograph of the Clinic building in Whaletown, with the Rectory to the right and a picket fence at the edge of the dirt road in front of the buildings.
Photograph of the Clinic building in Whaletown, with the Rectory to the right and a picket fence at the edge of the dirt road in front of the buildings.
Photograph of a row of floathouses in a coastal floating logging camp, probably in or near Seymour Inlet. There is a boat tied to the walkway that fronts the buildings. There is a pile of large fir rounds for firewood in front of one house; the house on the end has a container garden with flowers on the float in front.
Photograph of a row of floathouses in a coastal floating logging camp, probably in or near Seymour Inlet. There is a boat tied to the walkway that fronts the buildings. There is a pile of large fir rounds for firewood in front of one house; the house on the end has a container garden with flowers on the float in front.
Photograph of The "Columbia" and the "John Antle" at the end of the wharf on Stuart Island, along with other boats. This is cropped from #1999.001.947.
Photograph of The "Columbia" and the "John Antle" at the end of the wharf on Stuart Island, along with other boats. This is cropped from #1999.001.947.
Photograph of the "Columbia" and the "John Antle" at the wharf on Stuart Island. Other boats are also tied up at the dock; there are buildings at the head of the wharf. See also #1999.001.938, which is a crop from this photo.
2 photograph prints: b&w; 12.5 x 10 cm and 25.5 x 12 cm
Scope and Content
Photograph of the "Columbia" and the "John Antle" at the wharf on Stuart Island. Other boats are also tied up at the dock; there are buildings at the head of the wharf. See also #1999.001.938, which is a crop from this photo.
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".