The Hopes are standing beside the cook house at their logging camp in Lewis Channel. Their water spaniel Stinky once swam home to Refuge Cove from Squirrel Cove, a distance of 3.7 miles.
The Hopes are standing beside the cook house at their logging camp in Lewis Channel. Their water spaniel Stinky once swam home to Refuge Cove from Squirrel Cove, a distance of 3.7 miles.
Doris Hope provided a fish and chips dinner for the Refuge Cove community every Friday, cooking on two large propane burners set up on the back porch of her house,
Doris Hope provided a fish and chips dinner for the Refuge Cove community every Friday, cooking on two large propane burners set up on the back porch of her house,
Standing, L to R: Inez White, Judith Williams, Sherry Hall
Seated, L to R: Bonnie MacDonald holding daughter Lucy, Ann Ferguson, Pat Lovell, Judy White, (? ID), Doris Hope, Denise Gibbons,
In front of Doris Hope: (? - lived in Teakerne Arm)
Standing, L to R: Inez White, Judith Williams, Sherry Hall
Seated, L to R: Bonnie MacDonald holding daughter Lucy, Ann Ferguson, Pat Lovell, Judy White, (? ID), Doris Hope, Denise Gibbons,
In front of Doris Hope: (? - lived in Teakerne Arm)
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
This fonds contains textual records, photographs and other archival material relating to the history and functions of the Cortes Island Museum & Archives Society. It includes material created for exhibits and research on Cortes social and natural history.
This fonds contains textual records, photographs and other archival material relating to the history and functions of the Cortes Island Museum & Archives Society. It includes material created for exhibits and research on Cortes social and natural history.
From the "Out of the Archives" program: "This extravaganza marked the peak of Cortes Cinema's (CC) exploits in madness. Inspired by Saturday being the day that Cortes's gravel roads were littered in paper garbage (it flew off the dump truck). The script was a collaboration of some of the most unstable minds at CC's arsenal. The plot is, like the scriptwriters' minds, simple, but the late Al Murray's acting as the Lone Ranger left eceryone in the dust. The film is a tribute to Al, the funniest man that stepped in front of the CC's lens. Shot on Super 8 on location at the Cortes Island Dump."
Cast: Al Murray, Pierre & Wendy deTrey, Jean Fontaine, Jim Palmer, Isolde Ruthenberg
Cameos: Gary Bergman, the Reverand Rollo Boas, Wlmer Ellingsen, Jo-Ann Green, Peggy (the Queen of Cortes) Newsham, George Sirk
From the "Out of the Archives" program: "This extravaganza marked the peak of Cortes Cinema's (CC) exploits in madness. Inspired by Saturday being the day that Cortes's gravel roads were littered in paper garbage (it flew off the dump truck). The script was a collaboration of some of the most unstable minds at CC's arsenal. The plot is, like the scriptwriters' minds, simple, but the late Al Murray's acting as the Lone Ranger left eceryone in the dust. The film is a tribute to Al, the funniest man that stepped in front of the CC's lens. Shot on Super 8 on location at the Cortes Island Dump."
Cast: Al Murray, Pierre & Wendy deTrey, Jean Fontaine, Jim Palmer, Isolde Ruthenberg
Cameos: Gary Bergman, the Reverand Rollo Boas, Wlmer Ellingsen, Jo-Ann Green, Peggy (the Queen of Cortes) Newsham, George Sirk
