One of a series of 20 photographs documenting the move of the old Manson's Landing store from its position by the wharf in Mansons Landing Provincial Park to the present Museum site on Beasley Rd. The photographs are from an envelope labelled "Moving Museum, Dec. 1995. Moved by Able Transport. Paid for by Elmer and May Ellingsen."
Found in Information Files folder (Cortes Island Museum & Archives info"), Jan. 2021
Scope and Content
One of a series of 20 photographs documenting the move of the old Manson's Landing store from its position by the wharf in Mansons Landing Provincial Park to the present Museum site on Beasley Rd. The photographs are from an envelope labelled "Moving Museum, Dec. 1995. Moved by Able Transport. Paid for by Elmer and May Ellingsen."
"This shows the main road between Hague Lake and the Hague home property. Walking along the road are Mabel Lowe (L) and grandmother Mrs. Hague. The road had just been put in where there was only a trail before." (from May Ellingsen Historic Photographs: Album 2, p. 17) (Also in collection as 2007.001.723; digitized.)
"This shows the main road between Hague Lake and the Hague home property. Walking along the road are Mabel Lowe (L) and grandmother Mrs. Hague. The road had just been put in where there was only a trail before." (from May Ellingsen Historic Photographs: Album 2, p. 17) (Also in collection as 2007.001.723; digitized.)
From the "Out of the Archives" program: "In this documentary a rag-tag team of Cortes wreckers demolish a giant warehouse in James Bay, Victoria. The remove 100-year old maple flooring, which is bound for Cortes, while the building falls down around them. They have to get the flooring out before the bulldozers arrive! Shot on 16 mm film."
Cast: Pierre deTrey, Stephen Foster, Al Murray, John Wasyliw
From the "Out of the Archives" program: "In this documentary a rag-tag team of Cortes wreckers demolish a giant warehouse in James Bay, Victoria. The remove 100-year old maple flooring, which is bound for Cortes, while the building falls down around them. They have to get the flooring out before the bulldozers arrive! Shot on 16 mm film."
Cast: Pierre deTrey, Stephen Foster, Al Murray, John Wasyliw
From the "Out of the Archives" program: "A play on the work "divot" - "a piece of turf cut out of the ground by a golf club in making a stroke." The golfer who does this, according to George, is a "divotee" and this silly game needed a large dose of extra silliness doused on it. The attempt to just shoot one hole takes George and his caddy more on a cross-country steeplechase that a casual day on the course. Puns abound and the Voice of Doom, played by John Gregg, gets it in the end Watch for it! Shot at Gorge Harbour on 16mm."
Cast: Jon Gregg, Leon, George and a horse
Stagehand/Props: Jim Palmer
Cinematography: John Gregg
From the "Out of the Archives" program: "A play on the work "divot" - "a piece of turf cut out of the ground by a golf club in making a stroke." The golfer who does this, according to George, is a "divotee" and this silly game needed a large dose of extra silliness doused on it. The attempt to just shoot one hole takes George and his caddy more on a cross-country steeplechase that a casual day on the course. Puns abound and the Voice of Doom, played by John Gregg, gets it in the end Watch for it! Shot at Gorge Harbour on 16mm."
Cast: Jon Gregg, Leon, George and a horse
Stagehand/Props: Jim Palmer
Cinematography: John Gregg
Part of a series of photographs taken by Don Maclean at a logging camp at the Quatam River in Ramsey Arm, BC. The camp was likely one of the stops on his patrol for the Columbia Coast Mission.
Slides were taken by Don Maclean and donated by Janice Kerr Maclean, Sept. 9, 2021.
Scope and Content
Part of a series of photographs taken by Don Maclean at a logging camp at the Quatam River in Ramsey Arm, BC. The camp was likely one of the stops on his patrol for the Columbia Coast Mission.
One of a series of 20 photographs documenting the move of the old Manson's Landing store from its position by the wharf in Mansons Landing Provincial Park to the present Museum site on Beasley Rd. The photographs are from an envelope labelled "Moving Museum, Dec. 1995. Moved by Able Transport. Paid for by Elmer and May Ellingsen."
Found in Information Files folder (Cortes Island Museum & Archives info"), Jan. 2021
Scope and Content
One of a series of 20 photographs documenting the move of the old Manson's Landing store from its position by the wharf in Mansons Landing Provincial Park to the present Museum site on Beasley Rd. The photographs are from an envelope labelled "Moving Museum, Dec. 1995. Moved by Able Transport. Paid for by Elmer and May Ellingsen."
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
From the "Out of the Archives" program: "When Linnaea was established, Robert Cabot commissioned Cortes Cinema to produce a film abot the Turtle Island Land Steward Society. The day-to-day life of the farm is documented as is the Hansen's move across the road to their new property. Ken, Hazel and Flo (Hazel's mom) are all in the film helping to clear land on yet another farm! Using Bear Air (Barry Miles), aerial footage of the farm and the island is also in the film. A gliimpse into the past. With sound and narration. On 16mm.
Music: Glen Dias / Narration: Peter Gibson
Cast: Thousands of cows!"
From the "Out of the Archives" program: "When Linnaea was established, Robert Cabot commissioned Cortes Cinema to produce a film abot the Turtle Island Land Steward Society. The day-to-day life of the farm is documented as is the Hansen's move across the road to their new property. Ken, Hazel and Flo (Hazel's mom) are all in the film helping to clear land on yet another farm! Using Bear Air (Barry Miles), aerial footage of the farm and the island is also in the film. A gliimpse into the past. With sound and narration. On 16mm.
Music: Glen Dias / Narration: Peter Gibson
Cast: Thousands of cows!"
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
1 moving image : 13 minutes ; with background music
Scope and Content
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
From the "Out of the Archives" program: "First film shot on Super 8. The antics of some Gorge Harbout residents are madly depicted as the fruitlessly try to repair a flat tire at the Gorge Government dock. They are rescurd by none other than Yendor."
Cast: Gloria Jorg, Alex Nichols, Isolder Ruthenberg, Garth Walton and Yendor
Cinematography: George Sirk
From the "Out of the Archives" program: "First film shot on Super 8. The antics of some Gorge Harbout residents are madly depicted as the fruitlessly try to repair a flat tire at the Gorge Government dock. They are rescurd by none other than Yendor."
Cast: Gloria Jorg, Alex Nichols, Isolder Ruthenberg, Garth Walton and Yendor
Cinematography: George Sirk
Photograph of Mary Weiler walking onto the ferry after a surprise farewell party on the day she moved away from the island. Mary Weiler is facing the camera; John Ashby is center, with pipe; Brigid Weiler in the long skirt.
Photograph of Mary Weiler walking onto the ferry after a surprise farewell party on the day she moved away from the island. Mary Weiler is facing the camera; John Ashby is center, with pipe; Brigid Weiler in the long skirt.
"To Doris,Love from M. Freeman, Easter 1955" written on verso.
Back, L to R: Charlie Jeffery behind Ted Hansen, Linda Rexford, Doreen Guthrie, Lesley Forrest, MaryAnn Parry
Middle: Bert Summers, Barbie Pyner, Jenny Armstrong, Wayne Becque
Front: Keith Hawkins, Doris Hartman, Wendy Hansen, Nancy Layton (?), Johnny Hansen
"To Doris,Love from M. Freeman, Easter 1955" written on verso.
Back, L to R: Charlie Jeffery behind Ted Hansen, Linda Rexford, Doreen Guthrie, Lesley Forrest, MaryAnn Parry
Middle: Bert Summers, Barbie Pyner, Jenny Armstrong, Wayne Becque
Front: Keith Hawkins, Doris Hartman, Wendy Hansen, Nancy Layton (?), Johnny Hansen
