Fonds consists of sixteen photographs depicting people and scenes, primarily of the Manson's Landing area. Identification was provided by Fred Brooks Jr. in an interview with Cathy Jenks.
Alethea and Frederick (Fred) James Brooks Sr. and their two sons, Frederick (Fred) Earl, Jr. and Bob, lived on Cortes Island from ca. 1941 to 1944, near Manson's Landing. Fred Sr. logged in Cortes Bay and employed two of the Hawkins boys, Bill and George.
Fred Jr. attended grades three to six at Cortes Island school before the family moved to Pender Harbour. Some of the names he recalls are: the Christiansen kids (Robert, Jim, and a sister), the Tibers on the west side of Cortes Island, and the Jefferys of Smelt Bay.
Custodial History
Fred Brooks Jr. gave the photographs to Cathy Brooks of Pender Harbour Living Heritage Society, who facilitated the donation by collecting the photographs, donation form and information from Brooks and sending the materials to CIMAS.
Scope and Content
Fonds consists of sixteen photographs depicting people and scenes, primarily of the Manson's Landing area. Identification was provided by Fred Brooks Jr. in an interview with Cathy Jenks.
Pender Harbour Living Heritage holds related material from the Brooks family: https://penderharbourheritage.pastperfectonline.com/bysearchterm?keyword=Brooks+family
Margaret (Maggie) Manson, wife of John Manson, seated in a rocking chair by the living room fireplace of their home built in 1919 at Sunny Brae farm. She was widely known for her kindness and hospitality and many of the Cortes Island youngsters called her Aunt Maggie. She died suddenly in 1925.
Margaret (Maggie) Manson, wife of John Manson, seated in a rocking chair by the living room fireplace of their home built in 1919 at Sunny Brae farm. She was widely known for her kindness and hospitality and many of the Cortes Island youngsters called her Aunt Maggie. She died suddenly in 1925.
John Manson in front of black seal shape on surface of rock. The back of the photograph has a typed explanation of the legend of the Seal Boy, as follows:
"According to Indian legend, an Indian boy who persisted in going in swimming in spite of his mother's repeated warnings, was turned into a seal visible here as the black rock formation I am looking at. Summer, 1946."
"Ankity tillicum wawa, Ikt wake kloosh Sliamin tenasman quansum tickie klatawa cupa chuck. Yaka mama wawa, 'Klush halo!' Tenasman delate sahalie tumtum, halo iskum okok wawa. Wight wawa yaka mama, 'Spose halo kopate kloness elkie mica clap hias cull.' Pe nawitka yaka chaco delate klahowyum, chako kohkwa Siwash cusho mitlite cupa okok klale tone. Nika nanitch alta. Waum Illahee, 1946."
John Manson in front of black seal shape on surface of rock. The back of the photograph has a typed explanation of the legend of the Seal Boy, as follows:
"According to Indian legend, an Indian boy who persisted in going in swimming in spite of his mother's repeated warnings, was turned into a seal visible here as the black rock formation I am looking at. Summer, 1946."
"Ankity tillicum wawa, Ikt wake kloosh Sliamin tenasman quansum tickie klatawa cupa chuck. Yaka mama wawa, 'Klush halo!' Tenasman delate sahalie tumtum, halo iskum okok wawa. Wight wawa yaka mama, 'Spose halo kopate kloness elkie mica clap hias cull.' Pe nawitka yaka chaco delate klahowyum, chako kohkwa Siwash cusho mitlite cupa okok klale tone. Nika nanitch alta. Waum Illahee, 1946."