In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
From the "Out of the Archives" program: "In this documentary a rag-tag team of Cortes wreckers demolish a giant warehouse in James Bay, Victoria. The remove 100-year old maple flooring, which is bound for Cortes, while the building falls down around them. They have to get the flooring out before the bulldozers arrive! Shot on 16 mm film."
Cast: Pierre deTrey, Stephen Foster, Al Murray, John Wasyliw
From the "Out of the Archives" program: "In this documentary a rag-tag team of Cortes wreckers demolish a giant warehouse in James Bay, Victoria. The remove 100-year old maple flooring, which is bound for Cortes, while the building falls down around them. They have to get the flooring out before the bulldozers arrive! Shot on 16 mm film."
Cast: Pierre deTrey, Stephen Foster, Al Murray, John Wasyliw
From the "Out of the Archives" program: "A play on the work "divot" - "a piece of turf cut out of the ground by a golf club in making a stroke." The golfer who does this, according to George, is a "divotee" and this silly game needed a large dose of extra silliness doused on it. The attempt to just shoot one hole takes George and his caddy more on a cross-country steeplechase that a casual day on the course. Puns abound and the Voice of Doom, played by John Gregg, gets it in the end Watch for it! Shot at Gorge Harbour on 16mm."
Cast: Jon Gregg, Leon, George and a horse
Stagehand/Props: Jim Palmer
Cinematography: John Gregg
From the "Out of the Archives" program: "A play on the work "divot" - "a piece of turf cut out of the ground by a golf club in making a stroke." The golfer who does this, according to George, is a "divotee" and this silly game needed a large dose of extra silliness doused on it. The attempt to just shoot one hole takes George and his caddy more on a cross-country steeplechase that a casual day on the course. Puns abound and the Voice of Doom, played by John Gregg, gets it in the end Watch for it! Shot at Gorge Harbour on 16mm."
Cast: Jon Gregg, Leon, George and a horse
Stagehand/Props: Jim Palmer
Cinematography: John Gregg
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
From the "Out of the Archives" program: "When Linnaea was established, Robert Cabot commissioned Cortes Cinema to produce a film abot the Turtle Island Land Steward Society. The day-to-day life of the farm is documented as is the Hansen's move across the road to their new property. Ken, Hazel and Flo (Hazel's mom) are all in the film helping to clear land on yet another farm! Using Bear Air (Barry Miles), aerial footage of the farm and the island is also in the film. A gliimpse into the past. With sound and narration. On 16mm.
Music: Glen Dias / Narration: Peter Gibson
Cast: Thousands of cows!"
From the "Out of the Archives" program: "When Linnaea was established, Robert Cabot commissioned Cortes Cinema to produce a film abot the Turtle Island Land Steward Society. The day-to-day life of the farm is documented as is the Hansen's move across the road to their new property. Ken, Hazel and Flo (Hazel's mom) are all in the film helping to clear land on yet another farm! Using Bear Air (Barry Miles), aerial footage of the farm and the island is also in the film. A gliimpse into the past. With sound and narration. On 16mm.
Music: Glen Dias / Narration: Peter Gibson
Cast: Thousands of cows!"
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
1 moving image : 13 minutes ; with background music
Scope and Content
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
From the "Out of the Archives" program: "First film shot on Super 8. The antics of some Gorge Harbout residents are madly depicted as the fruitlessly try to repair a flat tire at the Gorge Government dock. They are rescurd by none other than Yendor."
Cast: Gloria Jorg, Alex Nichols, Isolder Ruthenberg, Garth Walton and Yendor
Cinematography: George Sirk
From the "Out of the Archives" program: "First film shot on Super 8. The antics of some Gorge Harbout residents are madly depicted as the fruitlessly try to repair a flat tire at the Gorge Government dock. They are rescurd by none other than Yendor."
Cast: Gloria Jorg, Alex Nichols, Isolder Ruthenberg, Garth Walton and Yendor
Cinematography: George Sirk
From the "Out of the Archives" program: "This extravaganza marked the peak of Cortes Cinema's (CC) exploits in madness. Inspired by Saturday being the day that Cortes's gravel roads were littered in paper garbage (it flew off the dump truck). The script was a collaboration of some of the most unstable minds at CC's arsenal. The plot is, like the scriptwriters' minds, simple, but the late Al Murray's acting as the Lone Ranger left eceryone in the dust. The film is a tribute to Al, the funniest man that stepped in front of the CC's lens. Shot on Super 8 on location at the Cortes Island Dump."
Cast: Al Murray, Pierre & Wendy deTrey, Jean Fontaine, Jim Palmer, Isolde Ruthenberg
Cameos: Gary Bergman, the Reverand Rollo Boas, Wlmer Ellingsen, Jo-Ann Green, Peggy (the Queen of Cortes) Newsham, George Sirk
From the "Out of the Archives" program: "This extravaganza marked the peak of Cortes Cinema's (CC) exploits in madness. Inspired by Saturday being the day that Cortes's gravel roads were littered in paper garbage (it flew off the dump truck). The script was a collaboration of some of the most unstable minds at CC's arsenal. The plot is, like the scriptwriters' minds, simple, but the late Al Murray's acting as the Lone Ranger left eceryone in the dust. The film is a tribute to Al, the funniest man that stepped in front of the CC's lens. Shot on Super 8 on location at the Cortes Island Dump."
Cast: Al Murray, Pierre & Wendy deTrey, Jean Fontaine, Jim Palmer, Isolde Ruthenberg
Cameos: Gary Bergman, the Reverand Rollo Boas, Wlmer Ellingsen, Jo-Ann Green, Peggy (the Queen of Cortes) Newsham, George Sirk
File contains photocopies of the original Crown Grants and subsequent title changes with plan maps.
To Moses Ireland: 1893, Crown Grant for the W 1/2 of the SW 1/4 of Section 35 and the fractional SE 1/4 of Section 35 (161 acres around Whaletown Bay
To George Alderson: 1961, Crown Grant for Lot 3 of Section 34
File contains photocopies of the original Crown Grants and subsequent title changes with plan maps.
To Moses Ireland: 1893, Crown Grant for the W 1/2 of the SW 1/4 of Section 35 and the fractional SE 1/4 of Section 35 (161 acres around Whaletown Bay
To George Alderson: 1961, Crown Grant for Lot 3 of Section 34
File contains a photocopied part of a map showing the locations of researched property in the Whaletown Lagoon and Whaletown Harbour area. The map is glued to an envelope which has a list of Crown grants and other conveyances on the back.
It contains photocopies of original land grants and other conveyances for the following:
Moses Ireland: 1893, Crown Grant for the W 1/2 of SW 1/4 of Sec 35 and W 1/2 of the SW 1/4 of Section 34
Joseph Youart: 1900, Crown Grant for Fractional NE 1/4 of Sec 35 (sold to Alice Robertson in 1908; "Burnside" is still in the Robertson family).
Nicholas Thompson: 1920, Crown Grant for the Fractional SW 1/4 of Sec 35
Charles Strange: 1914, Crown Grant for the NW 1/4 of Sec 35
File contains a photocopied part of a map showing the locations of researched property in the Whaletown Lagoon and Whaletown Harbour area. The map is glued to an envelope which has a list of Crown grants and other conveyances on the back.
It contains photocopies of original land grants and other conveyances for the following:
Moses Ireland: 1893, Crown Grant for the W 1/2 of SW 1/4 of Sec 35 and W 1/2 of the SW 1/4 of Section 34
Joseph Youart: 1900, Crown Grant for Fractional NE 1/4 of Sec 35 (sold to Alice Robertson in 1908; "Burnside" is still in the Robertson family).
Nicholas Thompson: 1920, Crown Grant for the Fractional SW 1/4 of Sec 35
Charles Strange: 1914, Crown Grant for the NW 1/4 of Sec 35
Clippings, maps, school projects, events, and additional info on schools on Cortes from 2000 to present. Cortes Island Elementary/Secondary Yearbook, class of 2003-2004
Clippings, maps, school projects, events, and additional info on schools on Cortes from 2000 to present. Cortes Island Elementary/Secondary Yearbook, class of 2003-2004
File contains information on subdivision and title changes, and a photocopy of the original Crown grant, in the Whaletown Lagoon area, to:
Samuel Thompson: 1894, Crown Grant for SW 1/4 of Section 35 and NW 1/4 of Section 34, 160 acres
File also contains four maps (stored in the Map Cabinet):
1) Subdivision map of part of NE 1/4 of Sec. 34 and part of NE 1/4 of Sec. 34, 1995
2) Subdivision Plan of NW 1/4 of Sec. 34 and NE 1/4 of Sec. 34 and part of E 1/2 of SE 1/2 of Sec. 34, 1995
3) Subdivision Plan of Lot A, NW 1/4 of Sec. 34, 1976
4) Subdivision Plan of part of NW 1/4 of Section 34, 1994
(Files 9 and 10 are from the same envelope.)
File contains information on subdivision and title changes, and a photocopy of the original Crown grant, in the Whaletown Lagoon area, to:
Samuel Thompson: 1894, Crown Grant for SW 1/4 of Section 35 and NW 1/4 of Section 34, 160 acres
File also contains four maps (stored in the Map Cabinet):
1) Subdivision map of part of NE 1/4 of Sec. 34 and part of NE 1/4 of Sec. 34, 1995
2) Subdivision Plan of NW 1/4 of Sec. 34 and NE 1/4 of Sec. 34 and part of E 1/2 of SE 1/2 of Sec. 34, 1995
3) Subdivision Plan of Lot A, NW 1/4 of Sec. 34, 1976
4) Subdivision Plan of part of NW 1/4 of Section 34, 1994
(Files 9 and 10 are from the same envelope.)
File contains title information to 1991 and a photocopy of the original Crown Grant to:
Nicholas Thompson: 1920, Crown Grant of Fractional SW 1/4 of Section 35; 54 acres on the southwest of Whaletown Bay
File contains a small explanatory map if a 5.5 acre portion of fractional SW 1/4 of Sec. 35, 1949, and a Subdivision Plan map of part of fractional SW 1/4 of Sec. 35, 1957 (stored in the Map Cabinet).
(Files 9 and 10 are from the same envelope.)
File contains title information to 1991 and a photocopy of the original Crown Grant to:
Nicholas Thompson: 1920, Crown Grant of Fractional SW 1/4 of Section 35; 54 acres on the southwest of Whaletown Bay
File contains a small explanatory map if a 5.5 acre portion of fractional SW 1/4 of Sec. 35, 1949, and a Subdivision Plan map of part of fractional SW 1/4 of Sec. 35, 1957 (stored in the Map Cabinet).
(Files 9 and 10 are from the same envelope.)