Photograph of four young women pulling a wooden rowboat onto the shore, Gorge Harbour. Left to right: Dorothy Huck, Joyce Allen, Marge (?) and Jean Cornell. Identification comes from a photograph from the collection of Meg Robertson Shaw in the "Whaletown to 1930" album created by Doreen Huck Thompson.
Photograph of four young women pulling a wooden rowboat onto the shore, Gorge Harbour. Left to right: Dorothy Huck, Joyce Allen, Marge (?) and Jean Cornell. Identification comes from a photograph from the collection of Meg Robertson Shaw in the "Whaletown to 1930" album created by Doreen Huck Thompson.
Photograph of a group of people seated on the steps of the home of Charles (Charlie) Allen in the Gorge Harbour (on the site of what is now the Gorge Harbour Marina.) The people are not identified.
Photograph of a group of people seated on the steps of the home of Charles (Charlie) Allen in the Gorge Harbour (on the site of what is now the Gorge Harbour Marina.) The people are not identified.
Photograph of Elsie Allen standing beside sheep, with two cows in the pen in back of her, at the Allen homestead in Gorge Harbour (site of present-day Gorge Harbour Marina).
Photograph of Elsie Allen standing beside sheep, with two cows in the pen in back of her, at the Allen homestead in Gorge Harbour (site of present-day Gorge Harbour Marina).
Photograph of the house of Charles Allen in Gorge Harbour (site of present-day Gorge Harbour Marina). The photo is taken from the rocks at the shore. To the right of the house a rock retaining wall, a rocky bluff, and a boathouse at the high tide line can be seen.
Photograph of the house of Charles Allen in Gorge Harbour (site of present-day Gorge Harbour Marina). The photo is taken from the rocks at the shore. To the right of the house a rock retaining wall, a rocky bluff, and a boathouse at the high tide line can be seen.
Photograph of Meg Robertson, Elsie Allen and Margaret (Pete) Middleton, standing in front of the stairs up to the Allen's house in Gorge Harbour (now the Gorge Harbour Marina).
Photograph of Meg Robertson, Elsie Allen and Margaret (Pete) Middleton, standing in front of the stairs up to the Allen's house in Gorge Harbour (now the Gorge Harbour Marina).
CD contains recordings of a tribute to Gordon (Gordie) Carr (1921-2012) held at the Gorge Hall, and of The Gig that Never Was (old standards recorded at the home of Gordie Carr ca. 1988 with Art Monk on saxophone and clarinet, Gordie Carr on piano; George Lake added his part at his home in Edmonton, Alta. in 2001).
CD contains recordings of a tribute to Gordon (Gordie) Carr (1921-2012) held at the Gorge Hall, and of The Gig that Never Was (old standards recorded at the home of Gordie Carr ca. 1988 with Art Monk on saxophone and clarinet, Gordie Carr on piano; George Lake added his part at his home in Edmonton, Alta. in 2001).
Photograph of (L to R) Lorine, Mrs. Charles Allen, Mrs. Munn, Mr. Munn (in uniform) and Margaret (Meg) Robertson, standing in front of a house bordered with flowering bushes, probably at the Allen homestead, Bute Ranch, on Gorge Harbour.
Photograph of (L to R) Lorine, Mrs. Charles Allen, Mrs. Munn, Mr. Munn (in uniform) and Margaret (Meg) Robertson, standing in front of a house bordered with flowering bushes, probably at the Allen homestead, Bute Ranch, on Gorge Harbour.
One DVD with footage shot by George Sirk of performances by the Cortes Theatre Society and the Cortes Singing Society, and the Gorge Hall Christmas Party, filmed by George Sirk.
Copyright George Sirk; to be used for display and research purposes only.
Copied from George Sirk's VHS tapes with his permission to use the contents for display and research purposes.
Scope and Content
One DVD with footage shot by George Sirk of performances by the Cortes Theatre Society and the Cortes Singing Society, and the Gorge Hall Christmas Party, filmed by George Sirk.
Copyright George Sirk; to be used for display and research purposes only.
Item consists of the continuation of an interview with Etta and Clarence Byers by Oonagh O'Connor. On Side A, Etta Byers talks about her childhood on Cortes, how she met Clarence and her married life in Seaford, Von Donop, Powell River and Courtenay. On Side B, Clarence talks about when his family moved to Cortes Island, and his experiences logging, starting at age thirteen. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Item consists of the continuation of an interview with Etta and Clarence Byers by Oonagh O'Connor. On Side A, Etta Byers talks about her childhood on Cortes, how she met Clarence and her married life in Seaford, Von Donop, Powell River and Courtenay. On Side B, Clarence talks about when his family moved to Cortes Island, and his experiences logging, starting at age thirteen. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
This is the continuation (Part 3) of an interview of Etta and Clarence Byers by Oonagh O'Connor. Clarence talks about his family history; moving to Cortes Island, logging on Cortes in the Von Donop/Blue Jay Lake/Carrington Bay area; road-building; and the arrival of Japanese oysters to Cortes beaches in ca. 1938. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
This is the continuation (Part 3) of an interview of Etta and Clarence Byers by Oonagh O'Connor. Clarence talks about his family history; moving to Cortes Island, logging on Cortes in the Von Donop/Blue Jay Lake/Carrington Bay area; road-building; and the arrival of Japanese oysters to Cortes beaches in ca. 1938. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
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